The best Benjamin Mouton’s movies
Today we present the best Benjamin Mouton’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Benjamin Mouton’s movies.
Basic Instinct
7.1/10
A violent police detective investigates a brutal murder that might involve a manipulative and seductive novelist.
A Time to Kill
7.5/10
A young lawyer defends a black man accused of murdering two white men who raped his 10-year-old daughter, sparking a rebirth of the KKK.
Falling Down
7.6/10
On the day of his daughter's birthday, William "D-Fens" Foster is trying to get to the home of his estranged ex-wife to see his daughter. His car breaks down, so he leaves his car in a traffic jam in Los Angeles and decides to walk. He goes to a convenience store and tries to get some change for a phone call, but the Korean owner does not oblige, tipping Foster over the edge. The unstable Foster, so frustrated with the various flaws he sees in society, begins to psychotically and violently lash out against them.
Flatliners
6.5/10
Five medical students want to find out if there is life after death. They plan to stop one of their hearts for a few seconds, thus simulating death, and then bring the person back to life.
Whore
5.6/10
This melodrama investigates the life of a sex worker, in a pseudo-documentary style.
The Puppet Masters
5.9/10
The Earth is invaded by alien parasites—aka 'slugs'—that ride on people's backs and control their minds
Jolene
6.4/10
A teenage orphan spends ten years traveling to experience life.
All the Real Girls
6.7/10
In a sleepy little mill town in North Carolina, Paul is the town Romeo. But when his best friend's sister returns home from boarding school, he finds himself falling for her innocent charm. In spite of her lack of experience and the violent protests of her brother, the two find themselves in a sweet, dreamy and all-consuming love.
And God Created Woman
4.4/10
In this variation on director Vadim's own, more acclaimed Et Dieu Créa La Femme (1956, the same title in French), the vamp Robin Shea marries charming carpenter Billy Moran, only to get out of prison, but soon decides to seduce James Tiernan, who runs for state governor.
The Whole Wide World
7/10
The Whole Wide World tells the story of Novalyne Price, an attractive feisty West Texas schoolteacher and her bittersweet, romantic and turbulent relationship with Robert E. Howard, the great pulp fiction writer of the 1930s.
Passionada
6.1/10
The film is a romantic comedy about a Portuguese widow whose husband had been a fisherman who died at sea. The widow's teenage daughter wants to be a professional gambler and she convinces her mother to date a British man whose new in town. The widow falls for the Brit, who pretends to be in the fishing business but is actually a professional gambler. The naive daughter gets into some trouble.
Sister, Sister
5.5/10
A congressional aide (Eric Stoltz) explores an old Louisiana mansion two kooky sisters (Jennifer Jason Leigh, Judith Ivey) run as a guest house.
American Weapon
2.4/10
American Weapon is the story of six beautiful travelers who head to the mountains for a getaway weekend, only to be terrorized by a homicidal war veteran, who has been programmed to kill without remorse.
The Tie That Binds
5/10
John Netherwood and his wife Leann are fugitives who are both wanted for murder. They have a young daughter named Janie and they want her back.
Blow Debris
Blow Debris similarly suggests narrative but prefers to offer it in the form of a drifting, almost aimless experience; the piece enacts a passage or journey as we follow a group of nude wanderers in a desert landscape. As with Electric Earth, what could be postmodern anomie becomes celebratory drifting. Aitken spurns a romantic nostalgia for a pristine past and its untrammeled landscapes in favor of the stories suggested by the discarded remnants and detritus that litter the expanse of the Mojave Desert. He also fetishizes the feeling of the desert. Even in the cool, dark space of the gallery rooms housing the huge projections, you sense the lassitude of the characters and time seems to slow down. And then things explode, time reverses, and you are compelled to walk around some more, from dislocation to relocation and back again.
