The best Ben Milliken’s movies

Ben Milliken

Ben Milliken

Today we present the best Ben Milliken’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Ben Milliken’s movies.
Genre:

Run & Gun

Run & Gun
5.1/10
After leaving a life of crime and violence, Ray is a reformed good guy, enjoying a quiet family life in the ‘burbs. But when his past is discovered, Ray is blackmailed into one last job to collect a mysterious package. After a deadly double-cross, he finds himself wounded and on the run from ruthless assassins who will stop at nothing to get what he has. Now, with the lives of his loved ones hanging in the balance and danger at every turn, Ray’s only hope is to draw upon his violent past to survive.

Blue Crush 2

Blue Crush 2
5.3/10
Haunted by the memory of her deceased mother, Dana leaves Malibu behind and heads to South Africa to fulfill her mother's dream of surfing Jefferys Bay.

Mighty Oak

Mighty Oak
5.1/10
  • Genre: ComedyDrama
  • Release: 05/06/2020
  • Character: Darby
Gina Jackson's life is shattered when her brother and lead vocalist of the band Army of Love, Vaughn, is killed in a tragic accident. Ten years later, young guitar prodigy Oak Scoggins enters her orbit, and she becomes convinced that this young man is the reincarnation of Vaughn. But is he?

Sonora: The Devil’s Highway

Sonora: The Devil’s Highway
6.3/10
1931, a year of nationalisms and excesses: The Chinese are expelled from Sonora; the US deports Mexicans and closes its borders. Twelve desperate people cross the Sonoran desert in a 1929 Chrysler, hoping to find peace in Baja California. As their sojourn exposes both the best and the worst of human nature, racism, greed, and paranoia prove as deadly as the merciless landscape around them.

Deadly Sibling Rivalry

Deadly Sibling Rivalry
4.8/10
Two twins lead separate lives since one of them blamed the other for the accidental death of his father. Years later, one carries a conventional family life while the other has a life of excess. When the first has an accident and is in a coma, the other does not scruple to take over her identity and steal her life.

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