The best Ben Fransham’s horror movies
Today we present the best Ben Fransham’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Ben Fransham’s movies.
30 Days of Night
6.6/10
This is the story of an isolated Alaskan town that is plunged into darkness for a month each year when the sun sinks below the horizon. As the last rays of light fade, the town is attacked by a bloodthirsty gang of vampires bent on an uninterrupted orgy of destruction. Only the small town's husband-and-wife Sheriff team stand between the survivors and certain destruction.
What We Do in the Shadows
7.6/10
Vampire housemates try to cope with the complexities of modern life and show a newly turned hipster some of the perks of being undead.
The Ferryman
4.7/10
Out on a dead calm ocean, in a thick fog, a group of tourists on a pleasure craft are about to cross paths with an ancient and terrible evil. Sharing the same ocean, a sick, dying old Greek man drifts alone on a stricken yacht. The Greek (John Rhys-Davies) has been cheating death for countless years. Trading broken bodies for new ones over centuries. With him he carries a deadly weapon that allows him to do this. This weapon, the Shifting Blade, gives its possessor an awesome power. But now is the time of reckoning. The Ferryman, the ancient conveyor of death and the path to the afterlife is close and he wants the Greek. There is a payment to be made.
The Turn of the Screw
6/10
This film adaptation of Henry James' Victorian ghost story changes the location to present day Wellington. Set in a theatre over the course of an evening, Julia finds herself as a last-minute replacement for another actress at the dress rehearsal of a stage play version of The Turn of the Screw, set in 1890. Arriving at the theatre late that night, Julia is immediately thrown on stage and into her role, playing to an empty auditorium. As she interacts with the other characters and the story becomes increasingly terrifying, Julia begins to believe that not only is the fictitious house haunted… but also the theatre itself!
