The best Barry Stanton’s movies

The dynamic duo of Chon Wang and Roy O'Bannon return for another crazy adventure. This time, they're in London to avenge the murder of Chon's father, but end up on an even bigger case. Chon's sister is there to do the same, but instead unearths a plot to kill the royal family. No one believes her, though, and it's up to Chon and Roy (who has romance on his mind) to prove her right.

Aging King George III of England is exhibiting signs of madness, a problem little understood in 1788. As the monarch alternates between bouts of confusion and near-violent outbursts of temper, his hapless doctors attempt the ineffectual cures of the day. Meanwhile, Queen Charlotte and Prime Minister William Pitt the Younger attempt to prevent the king's political enemies, led by the Prince of Wales, from usurping the throne.

The Swashbuckling legend of Robin Hood unfolds in the 12th century when the mighty Normans ruled England with an iron fist.

A dramatization of the Great Train Robbery. While not a 'how to', it is very detail dependent, showing the care and planning that took place to pull it off.

The plot is set on a group of bank robbers, who are both violent and successful, strangely getting away each time with an amount around the £60,000 mark, and often leaving behind cash in excess of this sum. The robbers are willing to kill their own team, to get away. As Jack Regan himself puts it after the first raid in the film: "I've never seen so many dead people". Armed with gold-plated Purdey shotguns, they evaded Regan and the Flying Squad for quite some time, before Regan finds encouragement from his Detective Chief Superintendent who was sent down for corruption because Jack wouldn't testify in court for him.

The classic tale of a man's dream, his epic journey, and one true love.

A physician discovers that two children are being kept virtually imprisoned in their house by their father. He investigates, and discovers a web of sex, incest and satanic possession.

In 1727, an Arab colt is born with the signs of the wheat ear and the white spot on his heel: evil and good. And thus begins the life of Sham. He is a gift to the King of France, through a series of adventures with his faithful stable boy, Agba, he becomes the Godolphin Arabian, the founder of one of the greatest thoroughbred racing lines of all time.

Adapted and directed by Peter Brook from the Royal Shakespeare Company’s ‘production-in-progress US’, this long-unseen agitprop drama-doc – shot in London in 1967 and released only briefly in the UK and New York at the height of the Vietnam War – remains both thought-provoking and disturbing. A theatrical and cinematic social comment on US intervention in Vietnam, Brook’s film also reveals a 1960s London where art, theatre and political protest actively collude and where a young Glenda Jackson and RSC icons such as Peggy Ashcroft and Paul Scofield feature prominently on the front line. Multi-layered scenarios staged by Brook combine with newsreel footage, demonstrations, satirical songs and skits to illustrate the intensity of anti-war opinion within London’s artistic and intellectual community.

A race of giant Gastropods has taken over the planet Jaconda. Their leader, Mestor, now intends to cause an enormous explosion in order to spread his people's eggs throughout the galaxy, and he kidnaps juvenile twin geniuses from Earth to work out the necessary mathematical equations. Space fighters led by Lieutenant Hugo Lang are dispatched to get the twins back, but they come under attack and Lang is the sole survivor when his ship crashes on the asteroid Titan III. A newly regenerated Doctor and Peri become involved and help Jaconda's elderly former ruler Professor Edgeworth, who is really a Time Lord named Azmael, to defeat Mestor and free the planet's bird-like indigenous people from the gastropods' reign of terror. Azmael, however, sacrifices his life in the process.