The best Baron Geisler’s movies

How can these five teenage friends Lester Carmona, Ram Barredo, G-Boy Velasco, Homer Arandia, and Hans Tolentino overcome the pressures and challenges of growing up? Lester, who craves for the love and attention of his parents, keeps on doing his rebellious stints for him to feel less neglected and unwanted. Ram is having second thoughts on pursuing his relationship with his girlfriend Maya because of the latter's father who sets too many prohibitions. Meanwhile, their friend G-Boy forces himself to like Mae in order to keep up with the trend and also to forget his older brother's girlfriend Sammy, to whom he is really attracted to. Homer, on the other hand, has a female childhood friend Raqui, who is secretly in love with him.

Years ago, Tina (Andi Eigenmann) was sent away to the United States to live with her aunt because of an incident involving her parents that has never been explained to her. She moves back to the Philippines into their old home, hoping for a new start. Unfortunately for her, shes not alone in the house. The kitchen is home to a demonic, human-eating refrigerator. Tina must dig into the past to discover the truth about what happened to her parents, and to find a way to defeat the infernal appliance.

Mobster Asiong Salonga (ER Ejercito) rules the mean streets of Manila with an iron fist—until he is betrayed by a trusted friend. Manila Kingpin is based on the story of the notorious Tondo, Manila, gang leader Nicasio “Asiong” Salonga, whose true-to-life accounts had been portrayed in several movie versions since 1961 (starring Joseph Estrada). It is also the first Filipino major film produced in black-and-white in the 21st century as well as the returning action genre movie. Before the film was shown, Tikoy Aguiluz requested the producers, through his lawyers, that his directorial credits in the film and promotional tools be removed because the final version of the film can no longer be described as his after the producers made a reedit, re-shoot and music mixing without his involvement. He also demanded that he be allowed to make a director's cut of the film.

Ma’ Rosa has four children. She owns a small convenience store in a poor section of Manila where everybody knows her. To make ends meet, Rosa and her husband, Nestor, resell small amounts of narcotics on the side. One day, they get arrested. Rosa’s children are ready to do anything to buy their parents’ freedom from the corrupt police.

Jologs portrays the intersecting stories of various working-class people who are all tied to one coffee shop and are struggling to make ends meet in the Philippines.

The film begins with his capture by Philippine and US forces under Frederick Funston's command in 1901, then flashes back to 1886, when an old woman gives Aguinaldo and his childhood friend Candido Tirona cryptic prophecies. Ten years later, Aguinaldo is inducted into the Katipunan and later assumes leadership of its Cavite chapter while becoming mayor of Cavite El Viejo. When the trouble breaks out in Manila in late August 1896, Aguinaldo tries to assure the Spanish provincial government of non-interference and covertly marshals his forces despite a lack of weapons. Learning that the Spanish mostly put their forces in Manila, Aguinaldo finally mobilizes his troops and take the command of the Katipunan forces in Cavite

A fantasy story about a group of kids who are fond of listening to fairy tales, their favorite being "Ang Ibong Adarna", which they are able to live when they are mysteriously transported to the magic bird's home, the enchanting world of Berbanya. There they meet Prinsipe Juan and help him with his mission to save the land and cure his father, the King. This can only be accomplished if they can get hold of the magical and elusive bird, the Ibong Adarna, who is actually a princess under a curse.

A dozen foreigners are kidnapped by a terrorist group in the Philippines.

What if you met the woman you wanted to make your wife after you married someone else? Ian Montes is a picture of success. Despite being a son of a shipping tycoon, Ian refused to just ride in his father's empire. He built his own real estate company and earned his first million at a very young age. He never looked back since then. Driven by his ambition to become better, if not as good as his father, Ian managed to make it on his own. But behind all the glory is a man yearning for love and recognition.

Tata went back to his hometown, Bohol with his mother from their poor life in Quiapo. He suddenly realize that his father is still alive. He fell in love with the girl he met named Stephanie who is about to get married to his stepbrother named Prince.

After working in Hong Kong for a decade to support her family, Josie (Vilma Santos) returns home to find her children's lives in ruins. Since their father's death five years ago, her daughters (Claudine Barretto and Shiela Junsay) and son (Baron Geisler) have made their way through life without their mother. But with a lack of parental guidance, they're on a path to destruction. Can Josie ever repair the damage her long absence has caused?

Three intern nurses get locked down in an asylum where they meet three special patients. Together, they attempt to escape before the other patients kill them.

A popular urban legend about a woman "aswang" who cooked and ate her two children. The legend is popular in the Visayas and in Mindanao

Waves is a romantic drama about the intimate relationship between Ross & Sofia - two old friends passionately in love yet life's cultural, geographical, and emotional obstacles get in the way.

The film follows two competing television news teams as they chase a variety of leads, gradually zeroing in on an impending and possibly apocalyptic storm, and a middle-aged teacher who may or may not be possessed by a demon. Writer and actress Raquel Villavicencio plays the ruthless head of the top-rated network, coming off as a Tagalog variation on Faye Dunaway's fabled character in Network. Her team has eschewed covering politics in favour of triedand- true tabloid fodder: demonic possession.

Jay is the name of the two protagonists in the film, one is living, the other dead. The living Jay is producing a documentary of the dead Jay, a gay teacher who was brutally killed. As Jay recreates and examines the life of his subject, his own life is affected when he unravels his subject's hidden life and secret love.