The best Barbara Enrichi’s drama movies
Today we present the best Barbara Enrichi’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Barbara Enrichi’s movies.
The Cyclone
6.8/10
Levante lives in a small city near Florence and his life is plain and a bit boring, until the day the twister arrives: a bus with six Spanish flamenco dancers that will twist Levante and his family life.
The Graduates
6.4/10
Four thirtyish university students share the same flat in Florence. Leonardo fantasizes about Letizia, a very beautiful girl; Rocco works as a night watchman, Bruno tries to get his degree to please his father in law and Pino dreams of becoming a stand up comedian.
The Sky Is Falling
6.5/10
1943, an estate north of Firenze. The weight of the world is on the shoulders of Penny, who's about 10. An orphan, she must watch over her little sister when they go to live with her aunt and uncle. Penny's a Catholic, and worries about her uncle's soul. He's Jewish, progressive and a free thinker, a fair boss, and devoted to his family. He can be stern, so Penny also worries that she'll never please him and that he won't love her. Then, after the Allied forces land in Sicily and the Germans begin their retreat, Penny must worry about her uncle's life. She tries logic and appeals to human decency. Can a child keep the sky from falling?
The Ideal City
6.4/10
Actor turned director Luigi Lo Cascio stars as the talented architect and fervent environmentalist Michele who has moved from Palermo to his ideal city, Siena. He holds a successful job and is living out a dream experiment of functioning one year without running water or electricity. Not surprisingly, he also displays a passionate opposition to cars and driving. One evening, after being forced to borrow his boss’ car in order to collect a colleague for a work function, Michele’s life takes an unexpected turn.
In the blinding rain Michele hits something he cannot identify. After leaving a note on a parked car he believes he damaged, he continues down the road only to come across a dead body a few miles down which he later discovers belongs to one of Siena’s most important luminaries. Michele immediately calls the police, but in doing so, he unwittingly brings intense suspicion on himself as his uncertainty raises more questions than he has answers for.
Via Varsavia
In carne e ossa
6.3/10
