The best Barbara Baxley’s movies

The intersecting stories of twenty-four characters—from country star to wannabe to reporter to waitress— connect to the music business in Nashville, Tennessee.

Set fifteen years after the original film, The Exorcist III centers around the philosophical Lieutenant William F. Kinderman who is investigating a baffling series of murders around Georgetown that all contain the hallmarks of The Gemini, a deceased serial killer. It eventually leads him to a catatonic patient in a psychiatric hospital who has recently started to speak, claiming he is The Gemini and detailing the murders, but bears a striking resemblance to Father Damien Karras.

Seen-it-all New York detective Frank Keller is unsettled - he has done twenty years on the force and could retire, and he hasn't come to terms with his wife leaving him for a colleague. Joining up with an officer from another part of town to investigate a series of murders linked by the lonely hearts columns he finds he is getting seriously and possibly dangerously involved with Helen, one of the main suspects.

In the Salinas Valley in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother for the love of their father. Cal is frustrated at every turn, from his reaction to the war, how to get ahead in business and in life, and how to relate to his estranged mother.

Norma Rae is a southern textile worker employed in a factory with intolerable working conditions. This concern about the situation gives her the gumption to be the key associate to a visiting labor union organizer. Together, they undertake the difficult, and possibly dangerous, struggle to unionize her factory.

Madison Avenue executive Graham Marshall has paid his dues. A talented and devoted worker, he has suffered through mounting bills and a nagging wife with one thing to look forward to: a well-deserved promotion. But when the promotion is given to a loud-mouthed yuppie associate, Graham unleashes his rage on an overly aggressive panhandler, who he accidently kills by pushing him into the path of an oncoming subway train. He re-thinks his problems with an entirely new solution. First, he arranges an "accident" for his annoying wife. Then he creates another "mishap" for his boss. It seems like the world is once more Graham's oyster…but a missing cigarette lighter and a prying police detective may change all that.

Desperate to land a man on the moon before Russia does, NASA hastily preps a would-be spaceman for a mission that would leave him alone in a lunar shelter for a year.

Schizophrenic housewife, engulfed by terrorizing apparitions, kills off each, unknowing if these demons are merely figments of her hallucinatory imagination or part of reality.

Christopher Gill is a psychotic killer who uses various disguises to trick and strangle his victims. Moe Brummel is a single and harassed New York City police detective who starts to get phone calls from the strangler and builds a strange alliance as a result. Kate Palmer is a swinging, hip tour guide who witnesses the strangler leaving her dead neighbor's apartment and sets her sights on the detective. Moe's live-in mother wishes her son would be a successful Jewish doctor like his big brother.

Ralph and Annabell Willart are a feuding couple who are constantly bickering over their worthless, good-for-nothing son Berry-Berry. When Berry-Berry begins yet another meaningless love affair, this time with an older woman named Echo O’Brien, he really gets his parents at each others’ throats.

A male hustler drifts into Key West, where he becomes involved in a series of steamy interludes with disreputable locals intertwined in various political intrigues.

Three years after Steve Peterson's wife, Nina, was murdered in front of their 11 year old daughter Julie, she and his new girlfriend Sharon Martin are kidnapped by the same killer, the psychotic Artie Taggart. Imprisoning them in a bunker below Grand Central Station, he throws the police into a race against time to save the girls and catch the killer.

A journey through the dark side of 1950s Los Angeles. "The Savage Eye" is largely composed of documentary street footage, which, when coupled with its dramatized material, takes the form of a hybrid narrative about a divorcee who escapes to L.A. to eviscerate her past -- and all notions of love and faith -- with a boozy, cynical abandon.