The best Aubrey Mallalieu’s horror movies
If you love cinema, you will share this ranking of the best Aubrey Mallalieu’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Aubrey Mallalieu.
Sweeney Todd: The Demon Barber of Fleet Street
5.8/10
It is England in the 1830s. London's dockside is teeming with ships and sailors who have made their fortune in foreign lands. Sweeney Todd, a Fleet Street barber, awaits the arrival of men whose first port of call is for a good, close shave. For most it will be the last time they are seen alive. Using a specially designed barber's chair, Sweeney Todd despatches his victims to the cellar below, where he robs them of their new found fortunes and chops their remains into small pieces. Meanwhile, Mrs Lovett is enjoying a roaring trade for her popular penny meat pies.
The Door with Seven Locks
5.5/10
A wealthy lord dies and is entombed with a valuable deposit of jewels. Seven keys are required to unlock the tomb and get hold of the treasure. A mad doctor uses an iron maiden to systematically eliminate the heirs to the fortune.
A Place of One's Own
6.2/10
An elderly couple move into an old, supposedly haunted abandoned house. A young girl comes to live with the pair as a companion for the wife. However, soon the girl is possessed by the spirit of another girl, a wealthy woman who had once lived in the house but who had been murdered there.
The Face at the Window
5.9/10
In 1880, the criminal called The Face is responsible for a murderous rampage in France. When the Brisson Bank is robbed in Paris and the employee Michelle is murdered, the wealthy Chevalier Lucio del Gardo is the only chance to save the bank. Chavalier proposes to the owner M. de Brisson to deposit a large amount of gold, but in return he would like to marry his daughter Cecile. However, Cecile is in love with the efficient clerk Lucien Cortier that belongs to the lower classes and refuses the engagement. In order to get rid off the rival, Chavalier uses evidences to incriminate Lucien, manipulating the incompetent Parisian chief of police.
