The best Asko Sarkola’s drama movies
Today we present the best Asko Sarkola’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Asko Sarkola’s movies.
Manrape
6.1/10
A woman who has been raped by a work colleague plots and executes an elaborate and humiliating revenge.
Maria's Paradise
5.8/10
A teenage orphan girl Salome lives within a sect lead by charismatic and ruthless Maria Åkerblom. During a pivotal summer, Salome is faced with standing up against Maria, the woman who had saved her.
The Human Part
6.7/10
Pekka Malmikunnas is a bankrupt, penniless man, who has convinced his family that he is still the CEO of a large IT company. Maintaining this façade in order to save face has become something of a full-time job for him. When Pekka’s parents unexpectedly come for a visit, he throws a lavish family dinner party in order to dispel any doubts. The soirée is a success until Pekka’s god-daughter gets run over by a car. The reckless driver becomes a mutual enemy for the family. The driver tries to atone for his actions, but the situation spirals out of control and Pekka attacks the man. Pekka realizes things have gone too far and decides to tell his family the truth. It does not hurt as much as Pekka thought, bringing the pieces of a once broken family back together.
The King Without a Heart
5.6/10
The King Without a Heart is a fairytale about of a happy king who has a young daughter and a lovely wife. After the sudden death of his wife, the king becomes so sad that he wants his heart taken out of his chest. The kingdom is turned into an effective society based on reason, and there is no longer place for emotions. When she grows up, the princess tries to make her father see the importance of play and emotions.
Tango Kabaree
4.2/10
A fictitious biography of Aira Samulin, the goddess of dance and importer of all the international dance crazes to Finland for some fifty years. The life story of this extravagant ever-teen, well beyond the usual retirement age, is told inside a fictitious plot about a Master of Ceremonies trying to persuade Aira to stage a show at his cabaret restaurant. Besides Aira Samulin, many other Finnish celebrities appear among the eccentric lineup auditioning for the show, playing more or less their fictionalised selves.
Bad Family
6.3/10
The story of an overly protective and controlling father who suspects incest is taking place between his own son and daughter. These growing suspicions and concerns cause the father to become delusional and unrelenting in his quest to end the love affair between his children.
Flame Top
6.4/10
This biographical film celebrates the little-known life of the Finnish novelist and revolutionary Maiju Lassila (Asko Sarkola), born in 1868. Lassila's early years are briefly shown, then the film richly details his active and paradoxically reclusive adult life, beginning with his sojourn in St. Petersburg, working as a businessman. Unable to stay away from politics, he caused the assassination of a high-ranking Czarist and as a result, had to run back to Finland to hide. Once established in the comparative safety of a small village, he taught school in order to support his real vocation as a writer. Always living on the edge of poverty, if not square in the middle of it, Lassila continues to avoid public contact - he keeps his identity low-key and camoflages it by publishing under a variety of pseudonyms.
Anita
5.4/10
Crime caper involving two con artists who team up to pull off a super scam. Complications arise when the female member of the team falls in love with the male partner, who is mainly interested in the money.
The South
4.8/10
A comedy of crime, romance and deception played out against the background of a vacation under the Mediterranean sun.
The Manila Rope
6.8/10
Manillaköysi is a cult status holding TV-movie adaptation of the satirical war novel by Veijo Meri. Manillaköysi has an endless list of classic one-liners, but it is still not based on cheap laughs or anything like that. The whole humouristic aspect of it comes from describing the absurdity of war, and the whole military system, by looking it with the eyes of a simple man, who's thrown into it, and who simply does not give a rats ass of it all. The tone of it is not overly preachy or moralizing. If I would have to describe it with one word, it would be: unglamourizing. The main point of Manillaköysi is pretty much compressed in one of the most famous quotes of it: There is nothing supernatural about war, it is just work like anything else.
The Longest Day
6/10
This melancholy, dryly comedic Finnish-language film is the fourth of a five-part series on minority languages in Sweden.
Stiller, Garbo & jag
5.6/10
One day when Ruben Stiller is playing in a bath, he gets an alien talking to Nadja, who asks him to find out the fate of Charly's dog. Ruben agrees because Charly's host was Mauritz Stiller, and Ruben is the grandson of Mauritz's brother.
