The best Arthur Penn’s movies

Arthur Penn

Arthur Penn

27/09/1922- 28/09/2010
If you love cinema, you will share this ranking of the best Arthur Penn’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Arthur Penn.

Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'n' Roll Generation Saved Hollywood

Easy Riders, Raging Bulls: How the Sex, Drugs and Rock 'n' Roll Generation Saved Hollywood
7.5/10
  • Genre: Documentary
  • Release: 09/03/2003
  • Character: Himself
A look at 1970s Hollywood when it was known as New Hollywood, and the director was the star of the movie.

Filmmakers in Action

Filmmakers in Action
7/10
  • Genre: Documentary
  • Release: 15/09/2006
  • Character: Self
What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)

Filmmakers vs. Tycoons

Filmmakers vs. Tycoons
7.2/10
  • Genre: Documentary
  • Release: 17/07/2005
  • Character: Himself
How the cinema industry does not respect the author's work as it was conceived, how manipulates the motion pictures in order to make them easier to watch by an undemanding audience or even how mutilates them to adapt the original formats and runtimes to the restrictive frame of the television screen and the abusive requirements of advertising. (Followed by “Filmmakers in Action.”)

Nichols and May: Take Two

Nichols and May: Take Two
7.4/10
  • Genre: Documentary
  • Release: 22/05/1996
  • Character: Self
A documentary made for the PBS program American Masters about the comedy team Nichols and May.

Rosy-Fingered Dawn: A Film on Terrence Malick

Rosy-Fingered Dawn: A Film on Terrence Malick
5.9/10
  • Genre: Documentary
  • Release: 01/09/2002
  • Character: Himself
Rosy-Fingered Dawn is a film on Terrence Malick. It is about the making of BADLANDS, DAYS OF HEAVEN, THE THIN RED LINE and the personal involvement of some of the most representative figures of the American culture itself. This medley of voices has given origin to a journey throughout the whole United States, from California to Colorado, from Virginia to Minnesota, passing by New York and Los Angeles. Every stop represents an ideal set in which all the characters of the films come to life once again giving place to a growing flow of memories. The narrative dimension of Malick's cinema resounds and opens a new horizon on the visible contradictions of the American culture; no easy judgement but a critical consciousness is what emerges from this coral speech, together with a definite need: the necessity of art. A need that Terrence Malick was able to satisfy.

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