The best Arno Wyzniewski’s movies

Europe, 1620: The well-known astronomer and mathematician Johannes Kepler, who teaches as a professor in Linz, receives the message that his mother is prosecuted as a witch in Württemberg. The truth behind the allegations is rather simple: His mother has been denunciated by a former friend after an argument with the authorities. Kepler tries desperately to convince the prosecutors of the absurdity of their allegations with rational arguments.

Helmut Kamp, the construction brigade leader, a man no longer young, life immediately confronted several difficult and woeful problems. The birth of a son, the tragic death of his wife, the relationship of his daughter Ingrid with Dr. Beißert coincided with the need to move to an uninhabited area where a nuclear power plant will be built. Kamp, Ingrid and the members of the friendly brigade decide to act as the duty and the feeling of partnership prompts them, and gradually they all become participants in the new construction...

Germany in the Thirties. A movie teller realizes that his profession is not longer needed. Silent movies are not produced any longer. Telling stories is the only thing the man was ever good in, so he does not know what to do now. As political circumstances are changing dramatically these days in Germany, he gets new hope that things will again be going better for him...

In the mid-1950s, mayor Zwischenzahl is killed on the day of his inauguration in a West German town. The killer is Ruth Bodenheim, a Jewish woman, who wanted to avenge the death of her parents. Zwischenzahl, a former SA member, was apparently involved in the deportation of her parents to a concentration camp during the war. Ruth cannot bear the horrible events and the death of her parents and wants to open the eyes of the town′s residents.

A group of young people draws straws to see who'll steal some cigarettes. With this theft, Sebastian starts a bizarre, symbolic odyssey through a sclerotic world, in search of himself and of truth and justice. When he tries withdrawing from one social paradigm, he finds himself caught in another.

Shortly before the end of WWII: While he is fighting at the Eastern front, private Werner Holt looks back on his still young life – especially his long-time friendship with former classmate Gilbert Wolzow, who is now Werner′s commanding officer. Both men used to be fanatic Nazi followers, but since Holt witnessed a massacre conducted by SS troops and the execution of a friend, he has begun to question the regime. He saves a Slovakian woman who is to be executed, and finally openly opposes Wolzow.

A communist is released from prison in 1935 Hamburg. He tries to link up with the Party again, but is unsure as to who he can trust, and has difficulty adjusting to life in Nazi Germany.

Based on a novella by Bertolt Brecht.

Franz Xavier Stannebein, a young boy at the turn of the 20th century, wants to do nothing more than fly. He carries this dream through his years at an orphanage and into adulthood as a merchant in Spain. He eventually invests everything he has into building his own version of an airship. He later meets some industrialists in Germany who want to support his idea, and they ask him to build an airfield in Spain. When he sees the Nazis use the field during the Spanish Civil War, however, he feels betrayed and goes to Germany to protest. There he is thrown into an insane asylum in Leipzig. After WWII, his grandson and other survivors of the family searches for him, only to find the empty asylum... Based on the novel Das Luft-Schiff. Biografische Nachlasse zu den Fantasien meines Grossvaters (1974) by Fritz Rudolf Fries. The non-camera animation in the film was created by internationally known director Lutz Dammbeck.

High-school senior Peter considers the adults around him to be hypocritical, self-congratulatory, and immersed in the past. He gets suspended for writing an essay that his teachers consider to be a challenge to the state. Just Don't Think I'll Cry became one of twelve films and film projects-almost an entire year's production-that were banned in 1965-1966 due to their alleged anti-socialist aspects. Although scenes and dialogs were altered and the end was reshot twice, officials condemned this title as "particularly harmful." In 1989, cinematographer Ost restored the original version, and this and most of the other banned films were finally screened in January 1990. Belatedly, they were acclaimed as masterpieces of critical realism.