The best Armand Kaliz’s music movies

A dance band leader finds love and success in Brazil.

Discovery by Flo Ziegfeld changes a girl's life but not necessarily for the better, as three beautiful women find out when they join the spectacle on Broadway: Susan, the singer who must leave behind her ageing vaudevillian father; vulnerable Sheila, the working girl pursued both by a millionaire and by her loyal boyfriend from Flatbush; and the mysterious European beauty Sandra, whose concert violinist husband cannot endure the thought of their escaping from poverty by promenading her glamor in skimpy costumes.

In order to avoid an arranged marriage with a man she doesn't love, Sarah Millick runs off to Vienna with her music teacher, Carl Linden, whom she does love. They are married. In Vienna, they struggle to make a living by making music. Carl writes an operetta and tries to get it produced. They are helped along by Viennese Baron, but his intentions are not honorable. He kills Carl in a sword fight. A big producer does put on the operetta, with Sari in the lead -- but without her husband, it is a bittersweet victory.

Mary and Larry are are a modestly successful skating team. Shortly after their marriage, Mary gets a picture contract, while Larry is sitting at home, out of work.

When the representative of the Paris International Dance Exposition arrives in New York to invite the Academy Ballet of America to compete for monetary prizes, the taxi driver mistakenly brings him to the Club Ballé, a nightclub on the brink of declaring bankruptcy. The owners, Terry Moore and Duke Dennis, jump at the chance to go, despite being aware of the mistake. They hire ballet teacher, Luis Leoni, and his only pupil, Kay Morrow, to join the group, hoping to teach their two dozen show girls ballet en route to Paris by ship. Also going along and rooming with Kay is Mona, Terry's ex-wife, who wants to keep an eye on her alimony checks. Naturally, Kay and Terry fall in love.

A countess marries a Gypsy fiddler instead of a baron's son at harvest time in Tokay wine country, Hungary.

Two young men try to wrest their father from the clutches of a gold digger but by mistake think the woman is a young nightclub singer with whom they both fall in love.

An American girl on vacation in Argentina falls for a wealthy racehorse owner.

Opening with a credit line that reads "Entire production conceived, created and directed by George White," a film evolves where the only plot line is a thin backstage romance between Jimmy Martin and Kitty Donnelly in and around a dozen or more sketches, revues, black-outs and singing and dancing turns. Made before the birth of the production code, reviewers of the day found much to object about in the implications of Alice Faye's "Nasty Man" song with the Meglin Kiddies, and the dog action in the "Your Dog Loves My Dog" number by Vallee, Faye, Jimmy Durante and Dixie Dunbar. The geometric dance arrangements used in the Vallee, Durante and Cliff Edwards "Every Day Is Father's Day" was not cause for Busby Berkeley to lose any sleep.