The best Arlene Francis’s movies
If you love cinema, you will share this ranking of the best Arlene Francis’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Arlene Francis.
One, Two, Three
7.9/10
C.R. MacNamara will do anything to get a promotion within the Coca-Cola company, including looking after boss W.P. Hazeltine's rebellious teenage daughter, Scarlett. When Scarlett visits Berlin, where C.R. is stationed, she reveals that she is married to a communist named Otto Piffl -- and C.R. recognizes that Otto's anti-establishment stance will clash with his boss's own political views, possibly jeopardizing his promotion.
Fedora
6.8/10
An ambitious Hollywood hustler becomes involved with a reclusive female star whom he tries to lure out of retirement.
Garbo Talks
6.4/10
When New York accountant Gilbert Rolfe (Ron Silver) finds out his mother has a brain tumor, he is devastated. His incorrigible mother, Estelle (Anne Bancroft), has one last wish: to meet the great Greta Garbo. Gilbert, wanting to do this last thing for her, sets out on a wild goose chase through the streets of New York City to track down the iconic star, at the expense of his personal life and much to the chagrin of his wife, Lisa (Carrie Fisher). Can he find Garbo before it's too late?
The Thrill of It All
6.9/10
A housewife's sudden rise to fame as a soap spokesperson leads to chaos in her home life.
Stage Door Canteen
6.2/10
A young soldier on a pass in New York City visits the famed Stage Door Canteen, where famous stars of the theater and films appear and host a recreational center for servicemen during the war. The soldier meets a pretty young hostess and they enjoy the many entertainers and a growing romance
Murders in the Rue Morgue
6.3/10
In 19th Century Paris, the maniacal Dr. Mirakle abducts young women and injects them with ape blood in an attempt to prove ape-human kinship. He constantly meets failure as the abducted women die. Medical student Pierre Dupin discovers what Mirakle is doing too late to prevent the abduction of his girlfriend Camille. Now he desperately tries to enlist the help of the police to get her back.
Eat That Question: Frank Zappa in His Own Words
7.5/10
Thorsten Schütte’s film is a sharply edited and energetic celebration of Zappa through his public persona, allowing us to witness his shifting relationship with audiences. Utilizing potent TV interviews and many forgotten performances from his 30-year career, we are immersed into the musician’s world while experiencing two distinct facets of his complex character. At once Zappa was both a charismatic composer who reveled in the joy of performing and, in the next moment, a fiercely intelligent and brutally honest interviewee whose convictions only got stronger as his career ascended.
All My Sons
7.3/10
During WWII, industrialist Joe Keller commits a crime and frames his business partner Herbert Deever. Years later, his sin comes back to haunt him when Joe's son plans to marry Deever's daughter.
Too Much Johnson
5.7/10
This film was not intended to stand by itself, but was designed as the cinematic aspect of Welles' Mercury Theatre stage presentation of William Gillette's 1894 comedy about a New York playboy who flees from the violent husband of his mistress and borrows the identity of a plantation owner in Cuba who is expecting the arrival of a mail order bride. The film component of the performance was ultimately never screened due to the absence of projection facilities at the venue. Long-believed to be lost, a workprint was discovered in 2008 and the film had its premiere in 2013.
Laura
6.8/10
A police detective falls in love with the woman whose murder he’s investigating.
With These Hands
5.4/10
Produced by the International Ladies Garment Workers Union, the film used actors to recreate the Triangle Shirtwaist Factory fire and compare working conditions of the early 20th century to that of the 1950s.
