The best Arielle Dombasle’s history movies
Today we present the best Arielle Dombasle’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Arielle Dombasle’s movies.
One Hundred and One Nights
6.5/10
Monsieur Cinema, a hundred years old, lives alone in a large villa. His memories fade away, so he engages a young woman to tell him stories about all the movies ever made. Also a line of movie stars comes to visit him giving him back the pleasure of life - but amongst them there are also some young students only striving after his money for the realization of their film projects. The two stories - Monsieur Cinema's and the young people's life - are told in parallel until they come together in the end when the old man plays a role in the film made by the students.
Vatel
6.6/10
In 1671, with war brewing with Holland, a penniless prince invites Louis XIV to three days of festivities at a chateau in Chantilly. The prince wants a commission as a general, so the extravagances are to impress the king. In charge of all is the steward, Vatel, a man of honor, talent, and low birth. The prince is craven in his longing for stature: no task is too menial or dishonorable for him to give Vatel. While Vatel tries to sustain dignity, he finds himself attracted to Anne de Montausier, the king's newest mistress. In Vatel, she finds someone who's authentic, living out his principles within the casual cruelties of court politics. Can the two of them escape unscathed?
The Libertine
6.3/10
French philosopher Denis Diderot produces the first encyclopedia while indulging in 18th-century decadence.
Perceval
6.9/10
The film chronicles Perceval's knighthood, maturation and eventual peerage amongst the Knights of the Round Table, and also contains brief episodes from the story of Gawain and the crucifixion of Christ.
Calm at Sea
6.7/10
October 1941. Eighteen months into France’s occupation by German troops, young Communist members of the Resistance shoot dead an officer of the German Army. In retaliation, Hitler demands the deaths of 150 Frenchmen, as 'retribution'. The targets are to be mostly young men believed to share the assassins’ political convictions. Most of these men are taken from an internment camp for opponents of the occupation; a 35-year-old French rural administrator is ordered to select the victims. Although the parish priest appeals to their conscience and moral sensibilities, both the German military and their French helpers slavishly follow their orders.
El baile de San Juan
5.7/10
It is the final decade of the 18th century in New Spain. We are in Mexico City, inhabited by local adventurers, native inhabitants and Europeans of every kind. In these surroundings, our characters, Jerónimo Marani, court choreographer, Giovanni, his mestizo son, and Victoria, the daughter of the most prominent family in the city, who is in love with Giovanni, live a life of love and aversion, court intrigue and popular grievances, Viceregal dogmas and dreams of freedom. Mexico´s war of independence is only a few years in the future.
Catherine de Heilbronn
6.2/10
In the Middle Ages, the earl Wetter von Stahl is accused of having bewitched Catherine, the daughter of the blacksmith of Heilbronn. The earl tries to be exonerated by proceeding himself to the interrogation of the young woman, who apparently shows an "unnatural possession".
