The best Arielle Dombasle’s crime movies
Today we present the best Arielle Dombasle’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Arielle Dombasle’s movies.
Flagrant Désir
5/10
In the Médoc, a young woman is found drowned. An accident, her influential family of winegrowers maintains. Or rather murder, as the American inspector Morrison suspects. If so, why? What secrets this family keeps?
Valentin Valentin
5.4/10
In a small Parisian building, a diverse group of people crosses paths, likes and observes each other, without always seeing each other.
The Blue Villa
7.2/10
The Blue Villa is a seedy bordello on a Mediterranean island where the villages are frightened by the ghost-like return of a young man, who mysteriously disappeared after the killing of a young Eurasian woman.
Three Lives and Only One Death
6.8/10
Four intertwining stories of bizarre occurrences in Paris featuring a man who was stolen away by fairies, a professor who becomes a tramp, the lovers who inherit a chateau – and the last tale that connects all that has gone before.
Une robe noire pour un tueur
6.1/10
The "black robe" in the title of this suspense film belongs to a female lawyer, Florence Nat (Annie Girardot) who has just lost a case in which she defended Simon Risler (Claude Brasseur), a man wrongly accused of murder. Risler escapes before he can be put in prison, and seeks help from attorney Nat in finding the real killer, partly by going after the police inspector who framed him in the first place. A retired surgeon, in the process of setting up a drug rehab clinic gets involved in solving Risler's case, and soon the solution seems to be pointing to high-ranking figures with every desire and ample means to keep the truth well-hidden.
La rouge et la noire
6/10
Carrying on Luc Moullets unfinished screenplay about the theft of la pénélope, a camera created by Aaton and capable of recording equally well in 35 mm and digitally, LA ROUGE ET LA NOIRE is a film in kaleidoscope form. The portrait of Aatons founder, Jean-Pierre Beauviala creator, inter alia, of the time-code and the light cameras used by the New Wave (in particular the bush camera specially designed for Jean Rouch) is centered around the basic plot introduced by two women thieves who talk as voice-overs, and whose identities will only be revealed at the end.
