The best Aparajita Adhya’s movies

Abhimanyu Roy is stuck with writer's block until he decides to re-live the memories of his childhood sweetheart Bindu who aspires to be a successful singer and struggles to give Abhi the one thing he craves - stability.

The story revolves around a stolen Laptop which becomes a witness of the lives of those who own it from time-to-time, connecting all of them in the process.

Shirshendu Mukhopadhyay's famous tale of 3 generations of women & their changing position in society,seen in relation to a box of jewels, handed down from one generation to the next. A film by Aparna Sen.

On a family visit, a young man and his girlfriend set out to discover why his eccentric uncle has been mysteriously confined to one room for years.

Based in the backdrop of 19th century Bengal, Rosogolla is a story of a young man with a romantic heart and brilliant mind — Nabin Chandra Das, who had set his heart on making the most delicious sweet of all time for his wife, Khirodmoni. Rosogolla is a story of the many trial and tribulations in his journey of making something unique, of innocent love, struggle and human aspiration for novelty.

It is a story of real & simple friendship between two lower primary school student; Bhutu (Broto Banerjee), son of soon-grown-up-rich businessman Laltu Biswas (Shiboprosad Mukherjee) & Mitali Biswas (Gargi Roy Chowdhury) and newly admitted Chini (Tiyasha Pal), daughter of high life-styled Professor (Sujan Mukhopadhyay) & teacher (Churni Ganguly). Drama started as Bhutu kissed Chini as a symbol of friendship, which made clash between the respective families with their grown-up thinkings.

Meghla, who after years discovers that her grandmother had been killed in her ancestral home in East Pakistan by a trusted retainer of the family. And many years after the tragedy, she visits Dhaka to trace her roots and faces the murderer's family who now occupies her house. Maati traces Meghla's trials with truth and humanity while tackling issues of migration, human displacement, and relationships.

Rudra and Partho's desire to adopt a child leads Rudra to take the most crucial decision. Rudra decides to undergo sex reassignment surgery, so that they can be legally considered a couple and allowed to adopt a baby.

Sraboni / Shaon (Esha Saha) and Antor Sen (Aditya Sengupta) have been married for 2 years and 5 months, and live in a joint family with Antor's parents, brother, sister-in-law and niece. Unbeknownst to her draconian, Rabindrasangeet-loving, idealist mother-in-law, Shaon has a career writing scripts for Bengali soaps (watching which too are strictly forbidden in the household). In contrast to the fiercely independent Shaon, Antor is usually indecisive and equivocates every time he is asked for his opinion on any matter. Shaon and Antor are unable to conceive because Shaon suffers from polycystic ovary syndrome - something which causes her a lot of mental anguish.

Cheeni, a working girl, has to suddenly take care of her mother whose lifestyle turned bizarrely eccentric post-widowhood. Putting her hectic city-life on pause, Cheeni moves back with her mother in their suburban Sovabazar neighbourhood where chaotic fireworks ensue as the traditionalist housewife and her rebel millennial daughter battle amidst surprising revelations and family secrets.