The best Antonio Fargas’s crime movies

Antonio Fargas

Antonio Fargas

14/08/1946 (77 años)
We present our ranking of the best Antonio Fargas’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Antonio Fargas.
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Shaft

Shaft
6.6/10
Cool black private eye John Shaft is hired by a crime lord to find and retrieve his kidnapped daughter.

Foxy Brown

Foxy Brown
6.5/10
A voluptuous black woman takes a job as a high-class prostitute in order to get revenge on the mobsters who murdered her boyfriend.

I'm Gonna Git You Sucka

I'm Gonna Git You Sucka
6.6/10
Jack Spade returns from the army in his old ghetto neighbourhood when his brother, June Bug, dies. Jack declares war on Mr. Big, powerful local crimelord. His army is led by John Slade, his childhood idol who used to fight bad guys in the 70s.

Shakedown

Shakedown
6/10
When a local drug dealer shoots a dishonest cop in self-defense, lawyer and renegade undercover cop join forces to clear him. But when their investigation leads them into a maze of greed and corruption, they learn that in a town where everything is for sale, anything can happen.

Crimewave

Crimewave
5.6/10
Fed up of his business partner, Ernest Trend hires the services of two exterminators. When things go drastically wrong and they murder the wrong man, the race is on to frame an innocent video surveillance man.

The Gambler

The Gambler
7.1/10
  • Genre: CrimeDrama
  • Release: 02/10/1974
  • Character: Pimp
New York City English professor Axel Freed outwardly seems like an upstanding citizen. But privately Freed is in the clutches of a severe gambling addiction that threatens to destroy him.

Across 110th Street

Across 110th Street
7/10
In a daring robbery, some $300,000 is taken from the Italian mob. Several mafiosi are killed, as are two policemen. Lt. Pope and Capt. Mattelli are two New York City cops trying to break the case. Three small-time criminals are on the run with the money. Will the mafia catch them first, or will the police?

Cleopatra Jones

Cleopatra Jones
5.9/10
Cleopatra Jones is assigned to crack down on drug trafficking in the United States and abroad. After she burns a Turkish poppy field, the notorious drug lord Mommy is furious at the loss of her supply and vows to destroy her.

Busting

Busting
6.4/10
Two Los Angeles vice squad officers find themselves up against their corrupt superiors when they try to bring a crime boss to justice. During the course of their investigation, the two cops disguise themselves as gay men and raid a gay bar.

Once Fallen

Once Fallen
4.8/10
When Chance (Brian Presley) returns home after five years in jail, he is determined to escape his past, start a new life and make peace with his father, (Ed Harris, Golden Globe® winner), who is the head of the Aryan Brotherhood prison gang and serving a life sentence for murder. Upon his release, his dreams of a crime-free future begin to disintegrate when he is forced to assume his best friend's outrageous debt to a local mobster. Despite being thrust back into a world of organized fighting, drug dealing and ties to corrupt police agents, Chance falls in love with Pearl (Academy Award® nominee Taraji P. Henson) and the prospect of living a normal life seems almost within reach. But will he be able to escape the crimes of his father and his past?

Fist of the Warrior

Fist of the Warrior
3.6/10
First-class assassin Lee Choe has spent years working for the mob. When his handler turns on him by killing his girlfriend and framing him for the murder, Lee stops at nothing to seek revenge. He fights back with a vengeance and violently punishes those who played a part in the death of his innocent love.

Bad Guys

Bad Guys
4.1/10
Would-be drug dealers are caught between the police and the Mafia.

The Cool World

The Cool World
6.5/10
Filmmaker Shirley Clarke ("The Connection") directs this powerful, stark semi-documentary look at the horrors of Harlem ghetto slum life filled with drugs, violence, human misery, and a sense of despair due to the racial prejudices of American society. There is no patronizing of the black race in this cinematic cry for justice. A fifteen-year-old boy called Duke is ambitious to buy a "piece" (a gun) from an adult racketeer named Priest, to become president of the gang to which he belongs, and to return them to active "bopping" (gang fighting) which has declined in Harlem. It is a clearly patent allegory of an attempt by Duke to attain manhood and identity in the only way accessible to him - the antisocial one.

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