The best Antoine Balpêtré’s crime movies
Today we present the best Antoine Balpêtré’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Antoine Balpêtré’s movies.
Le Corbeau
7.8/10
Remy Germain is a doctor in a French town who becomes the focus of a vicious smear campaign, as letters accusing him of having an affair and performing unlawful abortions are mailed to village leaders. The mysterious writer, who signs each letter as "Le Corbeau" (The Raven) soon targets the whole town, exposing everyone's dark secrets. This allegorical film was highly controversial at the time of its release, and was banned in France after the Liberation.
The Murderer Lives at Number 21
7.3/10
Inspector Wens moves into a Paris boarding house to catch a serial killer.
The Counterfeiters of Paris
7/10
"Le Dabe" retired many years ago and now he lives in the Tropics where he owns stables and horses. He is a very rich man. He was the king of all money counterfeiters. He is contacted from Paris to organize a new job. He says no. But when he finds out the the currency that should be counterfeited is the Dutch florin, he accepts immediately. He retired after having counterfeited 100 florin notes just before the Queen Wilhelmina retired them from circulation. He flies to Paris. But the gang is not to be trusted, at least not all of them.
Lust of the Vampire
6.5/10
A mad scientist captures young women and drains their blood, in order to keep alive an ancient, evil duchess.
Black Dossier
6.9/10
The title of this French noir drama translates to The Black File. Jean-Marc Bory plays Jacques Arnaud, an idealistic young investigator who comes to work in a small French town. He is soon involved in a mysterious case incriminating a town notable. Arnaud devotes himself to the case but the upshot of this is rather surprising to all concerned, not to mention the audience. Like Cayatte's previous efforts, Le Dossier Noir is based on the proposition that the phrase "French justice" can at times be oxymoronic.
We Are All Murderers
7.2/10
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
Picpus
6.1/10
Picpus is a street and a subway stop where a number of murders have been committed. Maigret tries to find the killer.
Stain on the Snow
6.7/10
La neige était sale is based on a novel and play by the phenomenally prolific Georges Simenon. Upon learning that his mother was a prostitute, Frank (Daniel Gelin) dejectedly vows that he, too, will live a life of debauchery. Part of his self-degradation program is to kill someone, and since the story takes place during the Nazi occupation of France, he chooses a German officer as his victim. His steady descent into psychosis and depravity becomes his ultimate undoing.
