The best Anne Wiazemsky’s movies
We present our ranking of the best Anne Wiazemsky’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Anne Wiazemsky.
Pigsty
6.6/10
Two dramatic stories. In an undetermined past, a young cannibal (who killed his own father) is condemned to be torn to pieces by some wild beasts. In the second story, Julian, the young son of a post-war German industrialist, is on the way to lie down with his farm's pigs, because he doesn't like human relationships.
Theorem
7/10
A wealthy Italian household is turned upside down when a handsome stranger arrives, seduces every family member and then disappears. Each has an epiphany of sorts, but none can figure out who the seductive visitor was or why he came.
Au Hasard Balthazar
7.8/10
The story of a donkey Balthazar as he is passed from owner to owner, some kind and some cruel but all with motivations beyond his understanding. Balthazar, whose life parallels that of his first keeper, Marie, is truly a beast of burden, suffering the sins of humankind. But despite his powerlessness, he accepts his fate nobly.
The Last Train
6.9/10
Two people, a Frenchman Julien Maroyeur and a Jewish German woman (Anna Kupfer) met on a train while escaping the German army entering France.
Rendez-vous
6.4/10
Nina, young girl from the provinces discovering the capital, meets people by chance, and carries out apprenticeship of the theatre and love. Paulot first of all, reassuring figure of an ordinary man, solid as a rock. Then Quentin, a fallen actor tormented by a past drama, violent as lightning. Finally, Scrutzler, an inflexible and exhausted director who chooses Nina, throws her on the stage. A revelation is born through these three meetings. But, it is with herself that Nina has an appointment.
La Chinoise
6.9/10
A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.
Weekend
6.9/10
A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations.
Sympathy for the Devil
6.2/10
An exhilarating, provocative motion picture. The Rolling Stones rehearse their latest song, "Sympathy For the Devil," in a London studio. Beginning as a ballad, the track gradually acquires a pulsating groove, which gets Jagger into a rousing vocal display of soulful emotion that Godard captures on film.
Be Pretty and Shut Up!
6.9/10
The film is a series of interviews with various well-known film actresses, including Jenny Agutter, Maria Schneider, and Jane Fonda. The title, which is borrowed from a 1958 film with the same name by Marc Allegret, refers to the sense the actresses have of what is expected of them by the film industry.
Tout Va Bien
6.5/10
A strike at a French sausage factory contributes to the estrangement of a married filmmaker and his reporter wife.
The Seed of Man
6.6/10
During a Post-Apocalyptic period in the near future the majority of the European population has been wiped out by some sort of undefined plague. Cino and Dora, a young couple, are rounded up by what constitutes the authorities on an isolated temporary base. They are examined and given antibiotics which will protect them for six months, told to pick out a deserted house to live in the area, and use that time to conceive a child.
Vladimir and Rosa
5.8/10
Jean-Luc Godard's and Jean-Pierre Gorin's interpretation of the Chicago Eight / Chicago Seven trial, which followed the 1968 Democratic National Convention protest activities. Judge Hoffman becomes the character Judge Himmler (played by Ernest Menzer) and the defendants become a microcosms of the French Revolution.
Wind from the East
5.8/10
A politically oriented film in which images suggestive of a mock western are accompanied by an atttack on all cinematic conventions to date and a debate on the nature and possibility of revolutionary cinema.
Lamiel
5.4/10
Lamiel (Anna Karina) is a poor orphan girl who climbs her way to the social elite in this 19th-century costume drama. A doctor (Michel Bouquet) lives vicariously through Anna as he oversees the progress of his female protégé. Lamiel finds love with a young thief who steals into her bedroom after her marriage to a penniless count (Jean-Clause Brialy), and the two experience a romantic rendezvous of forbidden love after Lamiel goes from being a poor peasant woman to living a life of comparative luxury.
Raphael or the Debauched One
7.1/10
1830, somewhere in France. Aurore is a young, beautiful and virtuous widow. She meets Raphael, a man of leisure, a debauchee. Raphael is obsessed by the death, and wait for it by chasing women and drinking. He first tries to seduce her, but is impressed by her and gives up. But Aurore felt in love with him, and tries not to look as inacessible. A romantic drama, with dispair, cynism, disgust for life and love.
Bonnot's Gang
6.2/10
The story of a notorious French criminal gang of the 1910s.
She Spent So Many Hours Under the Sun Lamps
6.9/10
A young film director is turning a movie with his friend Christa. In the film-within-the-film there are two couples, one real, one imagined , and the film - told through five dreams - is as much the story of a film on-production, as the birth of a child.
L'Enfant secret
6.5/10
Jean-Baptiste, a filmmaker, and Elie, an actress, fall in love. To fight their unhappiness, they cling to their children: Jean-Baptiste to his film and Elie to her young son.
George Who?
6.2/10
The film depitcs the life of the French author George Sand.
Même les mômes ont du vague à l'âme
5.4/10
