The best Anne-Marie Pisani’s movies

In a post-apocalyptic world, the residents of an apartment above the butcher shop receive an occasional delicacy of meat, something that is in low supply. A young man new in town falls in love with the butcher's daughter, which causes conflicts in her family, who need the young man for other business-related purposes.

It's mid 19th century, north of France. The story of a coal miner's town. They are exploited by the mine's owner. One day the decide to go on strike, and then the authorities repress them

The film begins in a flashback from the titular character, Antoine. We are introduced to his fixation with female hairdressers which began at a young age. The film uses flashbacks throughout and there are frequent parallels drawn with the past. We are unsure what Antoine has done with his life, however we know he has fulfilled his childhood ambition, to marry a haidresser.

Young D'Artagnan seeks to join the legendary musketeer brigade and avenge his father's death - but he finds that the musketeers have been disbanded.

Michel Mortez travels around France hosting a radio game show he created 25 years ago. He is famous among the average Frenchmen. Rivetot, his assistant and technician, always goes with him. He is the only one who knows what really lies under Mortez's appearance of a playful don Juan. When the program is canceled, Rivetot delays telling Mortez as long as possible... Both malicious and tender, this bitter comedy also shows nostalgia.

A force de se croire tout permis, une bande d'amis se voit interdire l'accès à toutes les discothèques de la région pendant un an. 52 samedi soir à errer dans les rues pendant que les autres s'en vont faire la fête.

Arsène Muselier returns to his home village at the end of the First World War. His only injury is a head wound, which sometimes provokes periods of delirium and fury. As he renews his acquaintance with the people he left behind - his mother, the old farmhand who brought him up after his father's death, his former girlfriend, and many others - he becomes fascinated by the legend of La Vouivre, a creature with the body of a woman who lives in the marsh, surrounded by vipers. One day, Arsène sees the strange woman - she is naked, beautiful, alluring, and he is instantly enchanted by her. Can she be real, or is she merely a creation of his damaged mind...?

Zulawski tackles Modest Mussorgsky’s famous opera about the bloody battle for ascendancy to the throne of Russia in the 17th-century! With a score conducted by Mstislav Rostropovich, Zulawski adds extra layers of devilish meta-textual embellishment by composing the film’s imagery as though we are watching a theater piece of a film crew making a movie about the opera of “Boris Godounov”! As well, the picture is full of delightful anachronisms that mock the then-contemporary Russian government, alongside jabs at other 20th-century dictatorships. So incensed was Rostropovich by Zulawski’s juiced final product — one that took liberties with the narrative’s sexual thrust, amongst other things — that he (unsucessfully) took Zulawski to court for “the violation of the Russian soul”! “Impressive in its use of whirling camera movements as well as mega close-ups of the contracted faces of its singers, ‘Boris Godounov’ is one of the most original opera movies ever made”