The best Anne-Marie Philipe’s movies
We present our ranking of the best Anne-Marie Philipe’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Anne-Marie Philipe.
Surviving with Wolves
6.5/10
In 1942, the young Jewish girl Misha, her Russian mother Gerusha and her German father Reuven hide from the Germans in a small house in Ardennes, Belgium. Misha is very connected to her mother that advises her that if one day a person comes to her saying "love of my life", she would follow him or her without any question. When her parents are captured by the Nazis, Misha is delivered to a German family and the abusive matriarch gives a bad treatment to the girl. However, she finds support in the family of Ernest and his deranged wife Marthe that supplies groceries to foster family. Misha loves Ernest's dogs and the old man gives a compass to her and tells that her parents have been sent to East to forced labor. When the old couple is denounced for sheltering the girl and arrested by the Germans, Misha flees through the woods heading east. Along her journey seeking out her parents...
Eugénie Grandet
6.3/10
Felix Grandet reigns supreme in his modest house in Saumur where his wife and daughter Eugenie lead a distraction-free existence. Extremely avaricious, he does not take a favorable view of the beautiful parties who rush to ask for his daughter's hand. Nothing should damage the colossal fortune he hides from everyone. The sudden arrival of Grandet's nephew, an orphaned and ruined Parisian dandy, turns the young girl's life upside down.
Marquise
5.9/10
Marquise is a drama about the rise and fall of a beauteous actress. As cheerfully portrayed by Sophie Marceau, the eponymous heroine is an engagingly ribald, but perhaps rather too modern, character. She rises from an impoverished background to become a favourite of the Sun King, Louis XIV, and the mistress of the celebrated Racine, who wrote roles especially for her; but her fate, in the end, is a tragic one.
The Widow of Saint-Pierre
7.1/10
In 1850, on the isolated French island of Saint-Pierre, a murder shocks the natives. Two fishermen are arrested. One of them, Louis Ollivier, dies in custody. The other, Neel Auguste, is sentenced to death by the guillotine. The island is so small that it has neither a guillotine nor an executioner. While those are sent for Auguste is placed under the supervision of an army Captain.
Les Princes
6.5/10
Feature film about Gypsies set out in the suburbs of Paris.
Hell
4.9/10
A Matter of Taste
6.9/10
Nicolas, a handsome, young waiter, is befriended by Frédéric Delamont, a wealthy middle-aged businessman. Delamont, a man of power, influence and strictly refined tastes, is immediately smitten by Nicolas' charm. Lonely and phobic, Delamont offers Nicolas a lucrative job as his personal food taster. In spite of their differences, a close friendship begins to emerge between the two men. However, their bond of trust and admiration soon spirals downward into a dangerous game of deceit and obsession for which neither is prepared.
Et la tendresse ?... Bordel !
6/10
Francois, seducer very misogynist, directs an Eros Club, that from which suffers his Carole wife silently. Julie, saleswoman in a clock industry, as for it is taken of an access of madness after having surprised her husband, Léo, future
Passage à l'acte
5.8/10
Antoine Rivière, a highly-reputed psychoanalyst, is visited by a new patient, Edouard Berg. When Berg claims to have killed his own wife, the doctor suspects he is a compulsive liar. How could he know that he has been caught in a trap and it's already too late for escape?
Guy de Maupassant
5.5/10
The life and times of the famous French writer Guy de Maupassant.
Délit mineur
4.3/10
French drama starring Caroline Cellier, Claude Brasseur and Niels Arestrup
L'enfance de l'art
5.6/10
This drama attempts to be a film within a film. In the outer story, Andre Dussolier stars as a film director working with drama students at the Paris Conservatory, making a film (the inner story) about a woman's obsession with a foreign desert. Wallowing in maudlin sentimentality, this feature fails to live up to the promise of its probable inspiration, Fame (1980), and was not well-received at the 1988 Cannes Film Festival. However, as a medium for instructing director Francis Girod's actual students at the Paris Conservatory about the art and perils of filmmaking, it was undoubtedly a good deal more successful.
Un Parfum De Miel
