The best Anne Louise Hassing’s movies

A teacher lives a lonely life, all the while struggling over his son’s custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.

With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.

Goltzius and the Pelican Company tells the story of Hendrik Goltzius, a late 16th century Dutch printer and engraver of erotic prints. A contemporary of Rembrandt and, indeed, more celebrated during his life, Goltzius seduces the Margrave of Alsace into paying for a printing press to make and publish illustrated books. In return, he promises him an extraordinary book of pictures of illustrating the Old Testament’s biblical stories. Erotic tales of Lot and his daughters, David and Bathsheba, Samson and Deliah and John the Baptist and Salome. To tempt the Margrave further, Goltzius and his printing company will offer to perform dramatisations of these erotic stories for his court.

The true story of the Fiil's a family of innkeepers who during Nazi-Germany's occupation of Denmark took up arms against the German occupiers. But in the fight for freedom, some must die so that others may live.

In a quirky, small town, situated in the outskirts of everything, 14-year-old Martin is getting ready for one of the most formal transitions from boy to man; the communion. It's 1976, music's in the air and hormones are blossoming. But in the midst of it all Martin's mother suddenly passes away and her tragic death trickers a series of events that not only changes Martin's life forever, but also affects everyone else in the local community. Overwhelmed with grief neither Martin's dad, nor his older brother, is capable to comfort Martin. He enters adulthood in a mixture of drunken happiness and immense sadness over the loss of his mother, and his relationship to both his friend Kim and girlfriend Kristine comes to its natural conclusion.

Just as David and Freja arrive at their newly bought country house close to the Cliffs of Møn the harmony is disturbed by an inexplicably suicide. When David realizes that their new craftsman Roar is linked to the person who fell of the cliff he starts being suspicious. David is also certain that Roar is hitting on Freja. She denies this and all Davids theories. David joins forces with the widow Veronica to solve the case and prove to Freja that he is right. But the closer he gets the truth the further away he gets from Freja. David has to risk everything to unveil circumstances that go far beyond his imagination...

The story of Juliane, a young woman who learns how to take her fate in her own hands and to trust nobody but herself. The plot is set in the Copenhagen tenements of the 1880s. Juliane is trapped in an unhappy marriage to a man who suffers extended periods of insanity. They have two children. She struggles to improve her social status, however, striving to attain the level of her two elder sisters is not easy. The great upheaval comes when she meets Otto, a smith, younger than Juliane, and in many ways her opposite. He is an ardent socialist, whereas she believes in herself. It is love at first sight when they meet and waltz on the pavement, but their passion really bursts into flame as time goes by. At last Juliane has found a man as strong-willed as she is.

Ditte owns a gallery, has a loving boyfriend and her dream job in New York is within reach. But Ditte is also the youngest generation of the famous bakery dynasty, Rheinwald, and when her beloved, but dominating father comes down with a serious illness, Ditte is faced with the grueling decision: To pursue her own dreams, or to continue the legacy of her family.

Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.