The best Anne Haug’s comedy movies
We present our ranking of the best Anne Haug’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Anne Haug.
Rocket Perelman
6.7/10
In the artist colony Rocket Perelman ten people strive to live their version of freedom and independence - everybody for themselves and all together. But that's hard work, since the joined theatre production puts the groups' idealism to a hard test.
Dinky Sinky
5.9/10
Frida wants a baby. But although she forces her boyfriend to follow a strict fertilization regimen, she’s not getting pregnant. Just when she’s about to resort to artificial means, her boyfriend dumps her. Suddenly, she’s missing the most important pregnancy ingredient – the father. But Frida will stop at nothing to get her baby.
Zu Zweit Allein
Nina and Karl are a perfectly normal, crazy couple. They can't live with or without each other. But suddenly, Nina can no longer stand the routine and decides to run away. She wants to be somebody else, though not (yet) an adult. The unfamiliar loneliness also affects Karl. Nina, meanwhile, doesn't seem to be able to get rid of Karl quite so easily.
Vagenda Stories
5.7/10
When Leila discovers at her sister Amanda's wedding that the latter is pregnant, she promptly reveals the carefully guarded secret. While the guests are happy, Amanda worries about her career and Leila about her fertility. Panic-stricken, Leila sets herself a goal: get pregnant! So together with her friend Sophie she throws herself into the nightlife. Sophie is more concerned with the search for babysitters and probably won't snatch a man from her.
Men Show Movies & Women Their Breasts
5.5/10
Isabell Suba, ambitious up-and-coming director, has made it – one of her short films is in the line-up of the most important film festival of the world! When she arrives at the 65. Cannes film festival, she has face the accomplished facts: David, her incompetent producer, has kindly sublet their cosy joint apartment to other festival guests. The other bad news: There is not a single movie in the competition directed by a woman! This affirms Isabell’s qualms: The film business demands women to gear up instead of dressing up low cut! Moreover, the chauvinistic remarks of her comrade-in-arms David who feels comfortable around the clichéd gender stereotypes from the Stone Age seemingly prevalent in Cannes infuriate Isabell. As if this wasn’t enough already, a shattering feedback on her new film project by a potential investor finally causes her to doubt herself. Before she can live her dream up at the Olympus of film business, she must first find out who really believes in her.
