The best Anne Caudry’s movies

Based on Molière's play. The children of Harpagon, Cléante and his sister Elise, are each in love but they still haven't spoken to their father yet. Harpagon is a miser who wants to choose the right man and the right woman for his children. When Cléante, at last, tries to speak to Harpagon, the old man informs the family that he wants to marry Marianne, the young girl loved by Cléante. Unaware of his son's sorrow, Harpagon doesn't understand why Cléante has become so angry with him.

The film follows four families, with different nationalities (French, German, Russian and American) but with the same passion for music, from the 1930s to the 1960s. The various story lines cross each other time and again in different places and times, with their own theme scores that evolve as time passes. The main event in the film is the Second World War, which throws the stories of the four musical families together and mixes their fates. Although all characters are fictional, many of them are loosely based on historical musical icons (Édith Piaf, Josephine Baker, Herbert von Karajan, Glenn Miller, Rudolf Nureyev, etc.) The Boléro dance sequence at the end brings all the threads together.

A brother, Earland Josephson, returns to his family home to visit his sister in the Italian countryside. He brings with him his young male lover. In the house with the sister are two women, one of whom, Mariangela Melato, takes care of the farm. The two women are friends and lovers since childhood and one senses that Melato's relationship is shadowed by the relationship she had with her mother shown through wonderful flashbacks. The brother also has wonderful memories of his and his sister's childhood in that same house with their father who was a magician. Following a night out at a lovely restaurant in the woods, other memories of the past are aroused in the Brother. The next day they all plan to drive to Venice where his sister sang opera in her youth for a holiday. Fate intervenes.

The independently-minded daughter of lower-middle class French shopkeepers, Brigitte, one of three sisters, refused to marry the father of her child when she became pregnant. In this film, she reminisces about her family life beginning when she was about five years old, up to the present when she is in her early 20s. Of her two sisters, one has a nervous breakdown and the other one becomes something of a baby factory. Colorful anecdotes of her eventful life lend additional depth to her insights.

To emerge from anonymity, a young man assumes responsibility for a crime he did not commit.