The best Anna Karina’s comedy movies

Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.

A collective film of 33 shorts directed by different directors about their feeling about cinema.

Longing for a baby, a stripper pursues another man in order to make her boyfriend jealous.

Paula Nelson (Anna Karina), a female version of Humphrey Bogart's hard boiled detectives, goes to Atlantic City to meet her lover, Richard Politzer, at an unknown point in the future (maybe 1969). Once there, she learns that Richard is dead and decides to investigate his death. In her hotel room, she meets Typhus, whom she ends up knocking out. His corpse is later found in the apartment of David Goodis (Yves Afonso), a writer. Paula is arrested and interrogated. From then on, she encounters many gangsters.

An Italian immigrant tries to make a new life in Switzerland, taking on a series of increasingly menial jobs in order to do it. He attempts to fit into his new home and society but fails at every turn. Unable to go home again, will his tenacity and optimism be enough to live on?

A collection of sketches that tells the story of prostitution through the ages.

A subtitle warns, "beware of dark sunglasses." Anna and her lover, whose looks in bowler and bow tie are reminiscent of a young Buster Keaton, kiss chastely on a bridge overlooking the Seine. He dons sunglasses and waves as she runs down a stairway to the river's edge, then watches in horror as she's knocked flat and loaded into the back of a hearse. In vain, he gives chase. Disconsolate, he buys a large funeral wreath and a handkerchief from sympathetic vendors. He removes the glasses to wipe his eyes and realizes they are the cause of all his woe. He replays the farewell without the glasses.

Cesar is a young schoolboy living in Paris with his family. Their life is ordinary, but Cesar wants more excitement (which he creates, in one instance, by claiming to his teachers that his father has been arrested). During the school holidays, Cesar and his friend Sarah decide to help their mutual friend, Morgan, find his father who supposedly lives in London. Each one tells their parents that they're staying with the other two, and together they sneak out to begin their search.

Gerard, a young man from a "good family" dreams of becoming an actor. To do this, he follows everywhere his sister Frédérique who is infatuated with cinéma vérité.

First shown on January 13, 1967 Anna was the first colour broadcast on French television. Directed by Pierre Koralnik, Anna was une comédie musicale showcasing the talents of the ex-Mrs Jean-Luc Godard, Anna Karina.

Serge follows Hélène in the crowded streets of Paris and manages to seduce her. Werther takes Sophie to her dentist, Raoul, who tries to seduce her too.

The film follows the story of three girls in contemporary Paris. One searches for her lost mother since she knows she's adopted. The other has come out of a coma and needs to have a love relationship aside from his mysterious father. The third one is a crook who redeems herself through love. The action is commented by songs and dance routines.

When Francis and Douglas Oberon learn that their late grandmother has bequeathed the family fortune to distant cousin Toni, they immediately start plotting to get their hands on the money. They dream up a plot whereby they cannot fail to acquire a comfortable future; the lovely Toni must either be murdered, or married...

Two young people, Walter and Charlotte, are walking through a small village in Switzerland a snowy winter day. Walter introduces Charlotte to Clara, hoping to make Charlotte jealous. After saying good-bye to Clara, Walter accompanies Charlotte into her house, although she doesn't want him to. Charlotte is hungry and cooks a steak. She asks Walter if he wants a piece of it. He says no, but she gives him a small piece anyway. He wants a kiss, and she says no. She starts to compare herself with Clara, who Walter agrees is more beautiful. In spite of this, Walter says he likes Charlotte much more, but she thinks he is lying. She notices that he is cold and shivering. She hugs him, he kisses her, and she starts kissing him. After leaving the house he accompanies her to the train.

Lamiel (Anna Karina) is a poor orphan girl who climbs her way to the social elite in this 19th-century costume drama. A doctor (Michel Bouquet) lives vicariously through Anna as he oversees the progress of his female protégé. Lamiel finds love with a young thief who steals into her bedroom after her marriage to a penniless count (Jean-Clause Brialy), and the two experience a romantic rendezvous of forbidden love after Lamiel goes from being a poor peasant woman to living a life of comparative luxury.