The best Ann-Margret’s tv movie movies
If you love cinema, you will share this ranking of the best Ann-Margret’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Ann-Margret.
Our Sons
6.8/10
When James admits to his mother, Audrey Grant, that he is gay it strains her liberal attitude. A San Diego businesswoman, Audrey believes she is a modern, open-minded mother, but the news sends her reeling. However, the real shock comes when James asks her to travel to Arkansas and inform his lover's mom, Luanne, that her son has AIDS. As Audrey and Luanne learn to put aside their prejudice toward each other, they soon discover how to share their thoughts, hopes and fears for their sons. Gaining strength from this common ground, the two women learn there really is no substitute for a mother's love.
Seduced by Madness: The Diane Borchardt Story
6.6/10
True crime story of a Wisconsin teacher's aide who hired teenaged students to murder her estranged husband.
A Place Called Home
6.4/10
The story of Southern Belle, Tula, who is living her older years in huge, yet crumbling, country house. Wary of visitors, her routine is shaken by two con-artists, Hank Ford and his daughter Cali, who are eying up Tula as their next victim.
Nobody's Children
6.8/10
An American couple's battle through bureaucracy to adopt a Romanian child.
Dames at Sea
6.6/10
Dames at Sea is a musical with book and lyrics by George Haimsohn and Robin Miller and music by Jim Wise. The musical is a parody of large, flashy 1930s Busby Berkeley-style movie musicals in which a chorus girl, newly arrived off the bus from the Midwest to New York City, steps into a role on Broadway and becomes a star. It originally played Off-Off-Broadway in 1966 at the Caffe Cino and then played Off-Broadway, starring newcomer Bernadette Peters, beginning in 1968 for a successful run. The television version was broadcast on the Bell System Family Theater on NBC on November 15, 1971. The cast had extra chorus girls and boys, and there were full production numbers, turning into the very thing it was spoofing. Ann Miller was singled out for praise, especially when "she was allowed to tap out her brassy...temperamental star..."
