The best Ann Eleonora Jørgensen’s movies
If you love cinema, you will share this ranking of the best Ann Eleonora Jørgensen’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Ann Eleonora Jørgensen.
Italian for Beginners
7/10
A group of strangers find friendship, family and love within an Italian beginners’ course.
Fatso
5.6/10
Overweight loner Rino spends his days in seclusion, until his dad rents a room to an overtly sexual girl who challenges Rino to break down his walls.
The Gold of Valhalla
4.3/10
Three siblings, Sofie, Jonas and Emma, move to Copenhagen when their father is appointed a job at the National Museum. One day, the ancient Norse gods, Loki, Thor and Heimdal, materialize to prevent the museum's legendary golden horns from falling into the wrong hands and threatening the human race with extinction. Because the divine powers of the gods aren't too efficient in a modern, hi-tech world, the kids step in and come to their rescue.
In Your Hands
6.7/10
Anna, a young theology graduate, starts work as a prison chaplain. She becomes especially concerned about one inmate, Kate, regarded as difficult and withdrawn, but whom the other inmates credit with mysterious healing powers.
Agatha and the Storm
6.5/10
The story of a middle-aged bookshop owner, who becomes embroiled in a surreal swirl of romance and family secrets of infidelity, her energy levels registering in bursts of electrical interference - causing lightbulbs, traffic lights, toasters and computers to spontaneously spark and malfunction.
Next Stop
6.4/10
Slaget på tasken
6.1/10
A young couple, Christian and Louise, are woken up by their sweetest slumber a morning. Two employees in their property company acquire access and take photographs to prove that Christian and Louise live illegally. The young people may be thrown out of their homes - but might find something else along the way.
On Our Own
5.6/10
Three siblings ingeniously avoid being sent off to a children's home while their solo-mother serves a short sentence in a prison for shoplifting. Rather than have the news leak out and have to be escorted off with the eccentric welfare officer, they invent a 'never present' dad who is looking after them.
Just Like Home
5.4/10
The tale of a troubled small town, and the brave few who made it their mission to keep the community together. As the citizens of a secluded Danish town gradually lose their trust in one and other, the sight of a naked man walking through town in the early hours of the morning sets off an unsettling wave of paranoia.
One-Hand Clapping
6.6/10
Svensson is a wealthy, aging blusterer who has just had a rather unusual funeral for his late wife and is now on his way to Spain with his cracker of a young mistress. But his trip is delayed when a lawyer turns up with a paternity suit. With a young undertaker as the new chauffeur at the wheel of his Jag, he sets off to confront the woman who claims to be the mother of his unknown daughter, turning his life and that of his companion upside down in the process.
Kick 'n Rush
4.6/10
The story revolves around Jakob, Bo and Mikkel - three friends who spend their days lusting over unattainable women and engaging in a variety of illegal activities (i.e. they'll rent a movie and then break into a house to watch it). After he's assigned to work with Mathilde on a school project, Jakob finds himself falling for the girl - despite the fact that Mikkel has been secretly lusting after her for years...
The Idiots Who Started The Party
Danish film has never felt stronger on the international stage than it did with the Dogme films, which at the world premiere of 'The Party' and 'The Idiots' during the Cannes Film Festival in 1998 put Denmark on the film world map. Another eight films under the strict Dogme rules followed and created great international careers for several of the talents in front of and behind the handheld camera. Thomas Vinterberg, Søren Kragh-Jacobsen, Paprika Steen, Ulrich Thomsen, Trine Dyrholm, Iben Hjejle, Anders W. Berthelsen, Lone Scherfig, Sonja Richter and many more of the country's greatest filmmakers look back on when Denmark became Dogme.
All the Beauty
6/10
Sarah (Ann Eleonora Jørgensen) and David (Magnus Crepper) meet for the first time in ten years when she arrives at his summer residence. David needs help finishing a play, which turns out to be a dramatization of their long, troublesome relationship. The film presents three love stories about seemingly different couples; all named Sarah and David, but played by different actors in respectively their 20s, 30s and 40s.
