The best Anita Mui’s war movies

Anita Mui

Anita Mui

10/10/1963- 30/12/2003
If you love cinema, you will share this ranking of the best Anita Mui’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Anita Mui.

A Better Tomorrow III: Love and Death in Saigon

A Better Tomorrow III: Love and Death in Saigon
5.9/10
The year is 1974. A young Hong Kong Chinese, Mark (Chow Yun-Fat), travels to Saigon to make his fortune. There, he encounters a mysterious femme fatale, the lovely Kit. As he becomes more involved in her various underworld deals, a tragic romance develops. On the eve of the outbreak of war, Kit's past returns to endanger her, and Mark must risk everything for the one true love of his life...

Kawashima Yoshiko: The Last Princess of Manchuria

Kawashima Yoshiko: The Last Princess of Manchuria
6.5/10
Kawashima Yoshiko was originally the 14th daughter of Emperor Xu. She was sent to Japan to train in the ways of the Samurai but lost her virginity to Samurai. She then married a Mongolian prince and set her mind to fight for the independence of Mongolia but the marriage failed. Arriving Shanghai, she met an opera singer Wan Hoi. Because of her beauty and background, she achieved a great deal, including successfully smuggled a Queen, Yuen Yung and helped Pu Yi to establish Manchuria. Unexpectedly, she met up again with Wan Hoi, who was the number one singer at that time but also part of the rebel force, and tried to unsuccessfully assassinate Yu-Yeh resulting in his own death. Yoshiko saved him but he could not be bought, so she set him free without Japanese' permission. The Japanese were dissatisfied and eventually she was exiled back to Japan. She later returned to China. However, because of the lost of Japan, she got arrested and executed. (Joy Sales)

Au Revoir, Mon Amour

Au Revoir, Mon Amour
6.5/10
  • Genre: DramaWar
  • Release: 28/03/1991
  • Character: Mooi Yi
A tragic love story set against the always volatile and oftenviolent backdrop of Shanghai during the Japanese occupation and at the opening of the Pacific Theater of the Second World War. A nightclub singer becomes involved with both a member of the Chinese resistance and an officer of the Japanese army.

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