The best Angela Pleasence’s romance movies
Today we present the best Angela Pleasence’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Angela Pleasence’s movies.
Les Misérables
7.3/10
Jean Valjean, convicted of stealing bread, is hounded for decades by the relentless and cruel policeman Javert.
The Favour, the Watch and the Very Big Fish
6.2/10
A farce, Hoskins plays a photographer who specializes in religious pictures who searches for a model for Jesus. He does a favor for a friend and finds himself doing a voice track for a porno movie with Natasha Richardson. Hoskins finds his model for Jesus in Jeff Goldblum and a romantic triangle begins in which Goldblum finds adoring crowds believing him to be Jesus and then begins to believe it himself.
Stealing Heaven
6.4/10
Abelard, a famous teacher of philosophy at the cathedral school of Notre Dame, falls in love with one of his students, Héloïse d'Argenteuil. A sixteen-year old girl raised in a convent, Héloïse has an intellectual curiosity and rebels against the status of women in 12th century Europe. When others begin to suspect their relationship, Heloise's uncle Fulbert and the bishop of Paris work together to put a stop to it. Héloïse becomes pregnant with Abelard's child, and they are married in secret. Abelard struggles for acting against the will of God, yet is unable to escape his love for Heloise.
Cider with Rosie
6.3/10
Made by Carlton Television for ITV (UK) , this adaptation of Laurie Lee's autobiographical novel follows a young man's maturation in the country town of Gloucestershire near the end of World War I. As young Laurie (Dashiell Reece) comes of age under the protective eye of his mother (Juliet Stevenson), he learns to live with an eccentric collection of friends, neighbours, and relatives. As he enters his teenage years, Laurie (now played by Joe Roberts) discovers women, specifically Rosie Burdock (Lia Barrow). Veteran screenwriter John Mortimer adapted Lee's book, with Lee narrating.
