The best Angela Brunner’s drama movies

Vienna, 1813-1819: Beethoven (played by Donatas Banionis) is at the peak of his fame. Orchestras all over the world play his music, but he lives modestly and is dependent upon private patrons. Nagged by his patronizing brothers, spied upon by officials for his republican beliefs and faced by his progressive hearing loss, the composer becomes more and more isolated. Seeman’s poetic film explores the joys, heartbreak and artistic spirit of the great composer as he works on his Ninth Symphony.

Based on a true story of inmates at KZ Buchenwald that risked their lives to hide a small Jewish boy shortly before the liberation of the camp.

Jette and Johannes have been living together for two years when Johannes suggests that they "legalize" their relationship. Jette loves him, but the proposal of marriage terrifies her.

1964 DEFA, East German Film by Konrad Wolf based on the novel by Christa Wolf. Tale of star-crossed lovers divided by worldviews in a divided Berlin.

An international anthology about the struggles of female workers around the world.

Film by Johannes Arpe.

Berlin at the end of the 1940s. Anneliese Weyher is working as a switchboard operator. She is living with her aunt after losing her parents in the war – a stroke of fate that has thrown the young woman off course emotionally. Indifferently, she is doing her work; her private life consists of an affair with a black-marketeer. Even when Anneliese witnesses an armed robbery, committed by infamous Wollnick and his gang, she stays lethargic and apathetic – she keeps silent instead of helping the inspector who is a friend of her aunt. It is not until Anneliese by coincidence meets her former lover, the watchmaker Kurt, that her life seems to take a positive turn.

The authorities expect the case of Friedel Walter, alias "Dr. Mueller," to be a straightforward one: he was working as a doctor without proper credentials under a false name. But Mehlin, the man in charge of his case, knows that there is more to the story. When he was injured fleeing from a concentration camp, resistance worker Irene asked her medical student boyfriend Walter to give him medical care.

Young seminary student Franziskus (Benjamin Besson) has been ceremonially ordained. He wants to escape the harshness and injustice of the world and devote himself to the service of God in the quiet seclusion of a monastery. He is also hoping to forget the beautiful lady Aurelie (Jaroslava Schallerová), whose life he saved in a flooded brook and with whom he spent an amorous night. He knows that her father would never allow her to marry him. But the devil dressed in a monk's habit and under the name Viktorin (Andrzej Kopiczynski) intervenes in Franziskus's destiny and attempts to lead him astray. To do so he first uses the diabolical elixirs kept at the monastery as a rare relic. When the young monk gets expelled from the monastery, Viktorin prepares another trap with the help of Aurelie's stepmother Euphemie (Milena Dvorská).

Film by Helmut Schneider.

Berlin, seven years after WWII. Four women are looking for happiness and a good man in the divided city. Their destinies are loosely connected through one person: the West Berlin dandy and womanizer, Conny. Released at the peak of East German cultural and political dogmatism, the film was heavily critiqued, especially by female party leaders who objected that its portrayal of the four women did not represent the qualities that characterized women in the new society. Now considered as a richly contradictory work, Destinies of Women represents an encore production by the Dudow/Eisler/Brecht creative team that also made Kuhle Wampe in 1932.

Berlin in the 1960s. Olaf and Horst are two young metalworkers, who provoke their older colleagues with critiques of the antiquated equipment and lack of materials... not to mention their love of leather jackets and motorbikes. Olaf and Horst begin to be targeted in the house newsletter, and the generational conflict escalates.