The best Andrew Young’s movies

Documentary about British fashion designer Ozwald Boateng.

On September 15, 1963, a bomb destroyed a black church in Birmingham, Alabama, killing four young girls who were there for Sunday school. It was a crime that shocked the nation--and a defining moment in the history of the civil-rights movement. Spike Lee re-examines the full story of the bombing, including a revealing interview with former Alabama Governor George Wallace.

Based on newly declassified files, the film explores the US government’s surveillance and harassment of Martin Luther King, Jr.

A chronicle of the final chapters of Dr. Martin Luther King Jr.’s life, revealing a conflicted leader who faced an onslaught of criticism from both sides of the political spectrum.

This rockumentary-style presidential portrait shows how Jimmy Carter reinvigorated a post-Watergate America—with the music of the counterculture, including the Allman Brothers, Bob Dylan, Willie Nelson, and Jimmy Buffett.

On the anniversary of Martin Luther King's death, Sir Trevor McDonald travels to the Deep South of America to get closer to the man who meant so much to him.

An unusual group of people who came together in the most unlikely location to make it possible for the greatest athlete on the planet to have a career once again.

This special three-part presentation of "Like It Is" examines the history of the black civil rights movement in the United States, emphasizing the role of black leaders and activists. Including the defected FBi-agent "Othello" Darthard Perry tells it all.

Integration Report 1, Madeline Anderson's trailblazing debut, was the first known documentary by an African American female director. With tenacity, empathy and skill, Anderson assembles a vital record of desegregation efforts around the country in 1959 and 1960, featuring footage by documentary legends Albert Maysles and Richard Leacock and early Black cameraman Robert Puello, singing by Maya Angelou, and narration by playwright Loften Mitchell. Anderson fleetly moves from sit-ins in Montgomery, Alabama to a speech by Martin Luther King Jr. in Washington, D.C. to a protest of the unprosecuted death in police custody of an unarmed Black man in Brooklyn, capturing the incredible reach and scope of the civil rights movement, and working with this diverse of footage, as she would later say, “like an artist with a palette using different colors.”

Madeline Anderson’s documentary brings viewers to the front lines of the civil rights movement during the 1969 Charleston hospital workers’ strike, when 400 poorly paid Black women went on strike to demand union recognition and a wage increase, only to find themselves in confrontation with the National Guard and the state government. Anderson personally participated in the strike, along with such notable figures as Coretta Scott King, Ralph Abernathy and Andrew Young, all affiliated with Martin Luther King’s Southern Christian Leadership Conference. Anderson’s film shows the courage and resiliency of the strikers and the support they received from the local black community. It is an essential filmed record of this important moment in the history of civil and women’s rights. The film is also notable as arguably the first televised documentary on civil rights directed by a woman of color, solidifying its place in American film history.