The best André Hennicke’s movies on Google Play Movies
If you love cinema, you will share this ranking of the best André Hennicke’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about André Hennicke.
Pandorum
6.7/10
Two crew members wake up on an abandoned spacecraft with no idea who they are, how long they've been asleep, or what their mission is. The two soon discover they're actually not alone – and the reality of their situation is more horrifying than they could have imagined.
Downfall
8.2/10
In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.
A Dangerous Method
6.4/10
Seduced by the challenge of an impossible case, the driven Dr. Carl Jung takes the unbalanced yet beautiful Sabina Spielrein as his patient. Jung’s weapon is the method of his master, the renowned Sigmund Freud. Both men fall under Sabina’s spell.
The Wonders
6.6/10
Gelsomina’s family works according to some special rules. First of all, Gelsomina, at twelve years of age, is head of the family and her three younger sisters must obey her: sleep when she tells them to and work under her watchful eye. But the world, the outside, mustn’t know anything about their rules, and must be kept away from them. They must learn to disguise themselves.
Victoria
7.6/10
A young Spanish woman who has newly moved to Berlin finds her flirtation with a local guy turn potentially deadly as their night out with his friends reveals a dangerous secret.
ABCs of Death 2
5.4/10
Taking all that was great from the first instalment, the movie aims to be a wilder, leaner, faster-paced and even more entertaining anthology this time around, with a new crop of award-winning, visionary filmmakers from around the globe.
The Countess
6.2/10
Kingdom of Hungary, 17th century. As she gets older, powerful Countess Erzsébet Báthory (1560-1614), blinded by the passion that she feels for a younger man, succumbs to the mad delusion that blood will keep her young and beautiful forever.
Youth Without Youth
6.1/10
A love story wrapped in a mystery. Set in Europe before WWII, professor of language and philosophy Dominic Matei is struck by lightning and ages backwards from 70 to 40 in a week, attracting the world and the Nazis. While on the run, the professor meets a young woman who has her own experience with a lightning storm. Not only does Dominic find love again, but her new abilities hold the key to his research.
Hot Dog
4.1/10
A pair of Tactical Units Police Officers from different walks of life come together to rescue an ambassador's daughter.
Invincible
6.4/10
A Jewish strongman performs in Berlin as the blond Aryan hero Siegfried.
Jonathan
6.4/10
A young man struggles with the pressure of caring for his terminally ill father while trying to unlock a secret that his father seems determined to keep from him. The story takes another dramatic turn when Ron, Burghardt’s long-lost friend from his youth, re-appears — and a well-kept family secret is uncovered.
Iceman
6.4/10
The Ötztal Alps, more than 5300 years ago. A Neolithic clan leader must avenge the massacre of his people and theft of his holy shrine.
Alien Invasion: S.U.M.1
4.3/10
An aggressive race of aliens took over Planet Earth and humanity's at its end, living in giant bunkers below ground. Young Military rookie S.U.M.1 (Iwan Rheon) is sent to the surface to save a group of unprotected survivors.
Enfant Terrible
5.9/10
When 22-year-old Rainer Werner Fassbinder storms the stage of a small, progressive theatre in Munich 1967, and seizes the production without further ado, nobody suspects this brazen young rebel to become one of the most important post-war German filmmakers. Despite early setbacks, many of his films breakout at the most renowned films festivals and polarise audience, critics and filmmakers alike. His radical views and self-exploitation, as well as his longing for love, have made him one of the most fascinating film directors of this time.
