The best Ana Martín’s drama movies
Today we present the best Ana Martín’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Ana Martín’s movies.
Why Was I Born Woman?
7.6/10
A family gathers to celebrate Mother's Day, that day a woman discuss many problems about her woman condition; husband, children and grandchildren will hear she tired and overwhelmed silenced by submission and obedience. Analysis of the family and gender roles.
Place without Limits
7.5/10
Family honor, greed, machismo, homophobia, and the dreams of whores collide in a Mexican town. Rich, elderly Don Alejo is poised to sell the town for a profit, needing only to buy a whorehouse to own all the buildings and close the deal. It's owned by a man and his daughter: Manuelita is gay, aging, afraid; he cross-dresses and entertains as a flamenco dancer; he wants to sell and leave. His daughter wants to stay. The return of Pancho complicates things: he's a hothead Alejo tries to control and he scared Manuelita the year before. Things come to a head as Pancho breaks Alejo's hold on him, then flirts and dances with Manuelita and finds himself at risk of being called a "maricón."
Verano salvaje
6.5/10
The legend of their beach days, plus nights of sex.
Unethical Behaviour
5.7/10
A family in extreme poverty is forced to make a series of sacrifices in order to survive. The mother is forced to enter prostitution with dire consequences for her family.
El gángster
6.2/10
Aging gangsters want to retire, but going straight poses new problems. Can they adapt?
Siempre hay una primera vez
6.4/10
The Prophet Mimi
7.5/10
Childhood trauma and religious repression causes little boy to grow up and murder prostitutes.
Corona de lágrimas
7.2/10
Doña Refugio works in an office until the bounce and has three children: Fernando who is studying to be a lawyer, doctor and Nacho Edmundo to work in a company as a truck driver gas. Things become difficult within the family and each seek solutions to economic oppression living.
The Pact
5.5/10
When they were children, siblings Sergio and Teresa made a promise to never leave each other. That unhealthy co-dependence continues on into adulthood, with Teresa proving to be a violent schizophrenic who's set off any time someone threatens to come between her and her brother. Sergio Véjar (camera operator in some Luis Buñuel's most popular films) writes and directs this strange story "based on true facts" with some reminiscences of Buñuel's melodramas.
Mil caminos tiene la muerte
6/10
A gang of bikers wrecks havoc.
Dulces Compañías
6.5/10
Evil street hustler plays out elaborate psychodramas with his janes and johns. They end up regretting they invited him home with them.
La muerte es puntual
5.8/10
Lurid crime drama about drug traffic.
