The best Ana Brandão’s drama movies
Today we present the best Ana Brandão’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Ana Brandão’s movies.
Frankie
5.4/10
About three generations of a family grappling with a life-changing experience during one day of a vacation in the historic town of Sintra, Portugal.
Women
6.5/10
Five women, all in their forties, try to find out what's important for them in life.
Haircut
5.6/10
The film is set in Lisbon, and tells the story of a day in the life of Rita and Paulo, a Portuguese young couple of the 90's. The fast changing city around them makes them wish to break with all traditions and live the day the get married (only civil marriage) like it is an ordinary day.
Rending
5.2/10
A philosophy-obsessed serial rapist stalks a university campus in broad daylight.
Veneno Cura
5.7/10
In oPorto there is a club, Imperatriz, where everything is permitted. A moment in which all intersect in the dark night.
Assim Assim
6.4/10
Five characters intersect at a sidewalk beginning a journey through their lives.
Come and Go
6.9/10
João Vuvu, lives alone in a house that requires regeneration but due to being alone he is unable to do the work. On his son's release from prison and João's ensuing deception triggers a series of somber events.
Snow White
4.9/10
Monteiro moved far away from the visual opulence defined by his earlier films with his inspired adaptation of radical Swiss writer Robert Walser’s anti-fairy tale. Carefully restricting the image track, Monteiro maintains an almost totally black screen in order to focus instead on the voices of Snow White, the Prince, the Queen and the Hunter, engaged in an extended debate about love, free will and the events leading up to the fateful attempt on the maiden’s life. Despite its visual austerity, Snow White is haunted by the arresting images with which it begins – infamous black-and-white photographs of Walser lying dead in the snow after his heart attack outside a Swiss asylum at the age of seventy-eight, a strange realization of the “death of the author” so central to postmodern literary criticism.
Venus Velvet
6/10
When almost everyone in their senses (or in their powers to do so so) has left a Western European Capital of millions of people under the threat of a colliding commet, a bar stays open in defyance. Two lovers are too self absorbed but not so much so that between drinks they cannot realise the barmen's infatuation with the lost girl who thinks she's just his last plaything and keeps playing jukebox songs (American/French-Italian/American) to that effect.
Paixão
5/10
A woman recovering from a personal tragedy imprisons a man she met at a party, shutting him in a room of a building demolition.
