The best Amy Austria’s drama movies

After working in Hong Kong for a decade to support her family, Josie (Vilma Santos) returns home to find her children's lives in ruins. Since their father's death five years ago, her daughters (Claudine Barretto and Shiela Junsay) and son (Baron Geisler) have made their way through life without their mother. But with a lack of parental guidance, they're on a path to destruction. Can Josie ever repair the damage her long absence has caused?

With a daughter who suffers from cerebral palsy and a son who's lost his much-needed scholarship, an impoverished married couple begins to abandon their faith and courage in the face of such misfortune. But when a gifted young boy called Magnifico uses his goodness to magically transform their lives for the better, the family's belief in miracles is restored. Suddenly, living with adversity doesn't seem like such a burden.

Joven dela Rosa is an NBI officer who investigates The Catleya Killer case perpetrated by a man who preys married women. The killer tortures his victim to death and disposes the body at the sidewalk during night time. However, as Joven gets busy solving the case, he gets to spend lesser time with his wife Camille, who met a handsome man named Gene Rivera. Camille finds Gene’s mysteriousness attractive. But behind Gene’s good looks is a man haunted by his past which keeps him from committing violence against women. How soon will Joven figure out that the man behind the heinous crimes has already penetrated to his household?

Ahmad belongs to the Bangsamoro people. While many of his kind are bent on fighting, thinking that Mindanao is only for the Muslims, Ahmad prefers to live a simple and peaceful life. He works as a doctor in Manila while his wife, Fatima, and his only son, Ibrahim, stay in Mindanao with his mother, Farida. Ahmad is shocked and devastated when Fatima breaks the confounding news. Ibrahim was killed by a stray bullet when vigilantes indiscriminately fire at their village. Ahmad goes back to where he came from Mindanao. Ibrahim’s death did not cause Ahmad to stop striving to live a peaceful life, much to the consternation of his brother, Musa. His brother takes an exactly opposite stand. Musa believes in waging a war against all the Kaafir (unbelievers) who may impede the Moro’s goal of independence. He even trains his young son, Rashid to a Muslim warrior’s life.

Poldo, a lowly security in a publishing firm, dreams to be rich. He becomes the personal bodyguard to his employer's son, Sonny, when he impresses the latter with his courage and skills during a quarrel where Poldo defended Sonny. Poldo gets a taste of his boss' carefree and extravagant lifestyle and thinks that he accepts him as a friend. In one of the nightclubs they frequent, Sonny is smitten by dancer Cristy and aggressively pursues her despite a warning from San Pedro, the movie director with whom Cristy has an affair. When they chance upon each other, Sonny and San Pedro fight. Poldo comes to his boss' rescue and guns down San Pedro. In subsequent circumstances, Poldo would soon arrive at a bitter realization. As he could not see in Sonny the benefactor that he pictured him to be, Poldo finds himself alone, abandoned and betrayed.

Fredo (Cesar Montano) is a fisherman who has endured more than his share of hardship in life; his wife and child both perished in a boating accident, and today Fredo approaches each trip to the sea with the angry determination of a man out for revenge. Fredo commands a crew of young people from poor families as he takes his rattletrap ship into the ocean in search of fish that live along the reefs, snaring catch with an illegal netting system. Not all of Fredo's youthful sailors are willing to put up with his abusive arrogance, however, and even his father Dado (Pen Medina) and close friend Botong (Jhong Hilario) have grown weary of Fredo's tirades. Fredo's body is beginning to betray him as well, and as he and his crew damage the sea's reef beds in search of fish, no one is certain how much longer he will be able to continue.

A woman who killed her husband and two other men in a Manila apartment becomes the newest media sensation. In a post-traumatic shock, she refuses to communicate with anyone. A journalist with feminist ideals is drawn to the case and vows to uncover the truth behind the triple murder. She is unfazed by the silence of the accused and seeks out others who may be able to shed light on the gruesome incident.

It tells the story of Carding and Luisa, a married couple torn between their love for each other and issues of their respective families.