The best Amparo Baró’s drama movies
We present our ranking of the best Amparo Baró’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Amparo Baró.
The Nest
7/10
In a town near Salamanca, an eccentric widower, aged 60, is captivated by an imp, a precocious 13 year old. Alejandro is wealthy and alone, passing time with music, chess, and his shotgun. Gregoria (Goyita) the daughter of a weak-willed policeman and his bullying wife, is a budding naturalist who conspires to meet Alejandro. Even though he knows the village is talking, Alejandro spends time with Goyita, on walks, horseback rides, and dinners. He's enchanted and tells his friend the village priest that he's living for the first time. Goyita makes new demands on Alejandro, and he must decide how to be true to his ethics and to this Platonic yet highly-charged relationship.
Stico
6.5/10
Leopoldo Contreras, a professor emeritus of Roman law has serious economic problems. His translations of classical authors do not give enough money to live and had to sell even their floor. To remedy the situation is offered as a slave to a former student in exchange for room and board.
November
7.6/10
Impelled by a spirit which still preserves a patina of idealism, Alfredo arrives to Madrid with the intention to create "a performance that is free, straight from the heart, capable of making people feel alive". His concept of what acting should be begins beyond the stage, out in the streets face to face with the public. Outdoors, in any town square, in a park or in the city's most commercial street, Alfredo and his troupe November start the show; demons to provoke passers-by, displays of social conscience, actions taken to the extreme to put the forces of law and order on full alert. There are no limits, no censorship; only ideas which are always valid so long as the public ceases to be the public and becomes part of the show swept by surprise, fear, tears or laughter. Theater as life, life as theater… there is no longer any difference.
Little Spanish Soldier
5.4/10
A young man, son and grandson of soldiers, refuses to perform military service, causing a commotion in the whole family. Finally, social, environmental and family pressures, will force the young to make a decision that will have unforeseeable consequences.
Seven Billiard Tables
6.3/10
Angela and her young son Guille travel to the big city to see Leo, her father and the boy's grandfather, when he suddenly takes ill. However, they arrive to discover that he has just passed away. Charo, the dead man's lover, explains the dire traits suffered by the paternal business: a hall with seven billiard tables.
At the Service of Spanish Womanhood
6.5/10
A sexually dissatisfied woman is confronted with a man who is the victim of a puritanic education.
The Things of Love
6.8/10
In 1940's Madrid. Juan plays piano for Pepita and her on-stage partner Mario. Although Mario really wants to steal Juan for himself, Juan is not interested and Mario resorts to a string of lovers as consolation. When he loves (and leaves) a young nobleman, the young man wants revenge.
The Things of Love: Part 2
5.1/10
On the way to his exile in Lisbon, Mario meets Silvia, a widow who turns out to be one of his admirers. Silvia has inherited a fortune, leading Mario to resume his career, eventually falling for him. Although Mario has relations with her, he makes it clear that will never fall in love. In Madrid, Juan Pepita and resume their relationship, and because of this the jilted Nena John Colman murders before Pepita, after being arrested. Pepita accepts a contract in Argentina, reunited with Mario. There he meets Tulio, who after starting a relationship with singer eventually ask marriage.
Llama un tal Esteban
6/10
En Septiembre
6.2/10
The former pupils of the school "Ateneo" meet several years later to honor the retirement of the head master, Mrs. María. The house where everyone meets, still evokes ancient memories from that time. One of them proposes something very special, to play the journey exactly as they used to do it. From the 40 people committed, only 9 show up. Their frustration grows when the journey begins and they still don't know what are they going to do.
On the Far Side of the Tunnel
5.7/10
Miguel and Aurelio are two film writers who decide to lock in a monastery in Aragon to finish the script for a movie. Strolling through the beautiful neighborhood, they meet a young and very attractive baker, with whom they maintain a loving relationship and she becomes, without realizing it, the protagonist of the script.
Tormento d'amore
7.1/10
"Torment of love" - Sara and Pietro meet in Barcelona and immediately a strong friendship grows between them, that soon turns into love. Sara does not dare to tell Pietro about a recent affair with a man called Roberto.
