The best Amedeo Nazzari’s drama movies
Today we present the best Amedeo Nazzari’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Amedeo Nazzari’s movies.
The Valachi Papers
6.4/10
When Joe Valachi has a price put on his head by Don Vito Genovese, he must take desperate steps to protect himself while in prison. An unsuccessful attempt to slit his throat puts him over the edge to break the sacred code of silence.
Nights of Cabiria
8.1/10
Rome, 1957. A woman, Cabiria, is robbed and left to drown by her boyfriend, Giorgio. Rescued, she resumes her life and tries her best to find happiness in a cynical world. Even when she thinks her struggles are over and she has found happiness and contentment, things may not be what they seem.
The Naked Maja
5.5/10
A historical fiction based on the lives of artist Goya and the Duchess of Alba
The Bandit
6.8/10
Among others, Ernesto returns to Turin after the war from a German POW camp; his household destroyed and family deceased, he tries making an honest living.
The Column
7.7/10
The end of Trajan's Dacian Wars (106 AD), when south western Dacia was transformed into a Roman province: Roman Dacia.
Nobody's Children
6.5/10
The tragic love story between Guido, the owner of a marble quarry and Luisa, the humble daughter of one of his employees, ends up in her giving birth to a baby boy. Giulio's mother is against them: at first she takes her son abroad with an excuse and then has her grandson kidnapped making Luisa think the boy died in a fire.
Alina
6.1/10
Italian drama
Outlaw Girl
7.2/10
Beppe Musolino is falsely accused of murder. He is tried and once found guilty is imprisoned. Unexpectedly he escape from prison and to survive he start living like an outlaw brigand. He falls in love for Mara, a village girl, and with her help he hunts down all of the witnesses who lied about him at the trial.
He Who Is Without Sin...
6/10
Northern Italian Stefano marries sweetheart Maria by proxy while working abroad in Canada. However, she is mistakenly accused of her sister's crime of abandoning her own child and, when Stefano finds out, he decides to call off their marriage.
L'ultimo amante
5.6/10
Maria, a prostitute, meets Cesare in a police station, a drunkard reporter. Cesare falls in love with her and wants to save her from her bleak life but the girl refuses any help.
We Are All Murderers
7.2/10
Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.
Tormento
6.4/10
Anna flees her home, where she has been victimized for years by her spineless father’s mean-spirited second wife, to be with her lover, an honest businessman yet to make his fortune. When he is accused of a murder he didn’t commit, the couple’s domestic tranquillity is upended, and a desperate Anna must rely on her cruel stepmother to help support their child.
Poppies Are Also Flowers
5.1/10
In an attempt to stem the heroin trade from Iran, a group of narcotics agents working for the UN inject a radioactive compound into a seized shipment of opium, in the hopes that it will lead them to the main heroin distributor in Europe. Along the way, they encounter a mysterious woman doing her own investigating of the smuggling operation.
Lebbra bianca
5.3/10
Bengasi
6.9/10
The film is set in 1941 during the Second World War, when the city of Benghazi in Italian-ruled Libya was occupied by British forces. Italian inhabitants of Benghazi work to resist the British and discover their military plans. One man, Captain Enrico Berti, appears to be collaborating with the British but is in fact working undercover for Italian intelligence. The film ends with the city being recaptured by Italian troops and their Nazi German allies.
Nefertiti, Queen of the Nile
5.2/10
Chronicles the rise and fall of the woman who eventually became known as Queen Nefertiti.
Melancholy Autumn
6/10
Lucas is an orphan who lives with his mother Mary, a worker in a factory in Barcelona. One day they meet Captain Andres.
Double Cross
6.2/10
A businessman is wrongly accused and convicted for the murder of his associate.
Carmen la de Ronda
6.2/10
Antonio is the leader of an underground armed group fighting in the village of Ronda against Napoleon's troops which have imposed French rule in 1808 Spain. Micaela is madly in love with Antonio but he is devoted to Carmen, the region's most beautiful gypsy who lives and sings at a local inn.
The White Angel
6.5/10
In The White Angel, Raffaello Matarazzo’s sequel to his blockbuster Nobody’s Children, the perpetually put-upon Guido and Luisa return for a new round of trials and tribulations.
