The best Alfred Hitchcock’s thriller movies
Sir Alfred Joseph Hitchcock, KBE (13 August 1899 – 29 April 1980) was an English director and producer. He pioneered many techniques in the suspense and psychological thriller genres. After a successful career in his native United Kingdom in both silent films and early talkies, Hitchcock moved to Hollywood. In 1956 he became an American citizen while remaining a British subject. Over a career spanning more than half a century, Hitchcock fashioned for himself a distinctive and recognizable directorial style. He pioneered the use of a camera made to move in a way that mimics a person's gaze, forcing viewers to engage in a form of voyeurism. He framed shots to maximize anxiety, fear, or empathy, and used innovative film editing. His stories frequently feature fugitives on the run from the law alongside “icy blonde” female characters. Many of Hitchcock's films have twist endings and thrilling plots featuring depictions of violence, murder, and crime, although many of the mysteries function as decoys or MacGuffins meant only to serve thematic elements in the film and the extremely complex psychological examinations of the characters. Hitchcock's films also borrow many themes from psychoanalysis and feature strong sexual undertones. Through his cameo appearances in his own films, interviews, film trailers, and the television program Alfred Hitchcock Presents, he became a cultural icon. Hitchcock directed more than fifty feature films in a career spanning six decades. Often regarded as the greatest British filmmaker, he came first in a 2007 poll of film critics in Britain's Daily Telegraph, which said: “Unquestionably the greatest filmmaker to emerge from these islands, Hitchcock did more than any director to shape modern cinema, which would be utterly different without him. His flair was for narrative, cruelly withholding crucial information (from his characters and from us) and engaging the emotions of the audience like no one else.” The magazine MovieMaker has described him as the most influential filmmaker of all-time, and he is widely regarded as one of cinema's most significant artists.
Psycho
8.5/10
When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.
North by Northwest
8.3/10
Advertising man Roger Thornhill is mistaken for a spy, triggering a deadly cross-country chase.
Vertigo
8.3/10
A retired San Francisco detective suffering from acrophobia investigates the strange activities of an old friend's wife, all the while becoming dangerously obsessed with her.
Rear Window
8.5/10
A wheelchair-bound photographer spies on his neighbors from his apartment window and becomes convinced one of them has committed murder.
I Confess
7.2/10
Unable, due to the seal of the confessional, to be forthcoming with information that would serve to clear himself during a murder investigation, a priest becomes the prime suspect.
Rebecca
8.1/10
Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.
To Catch a Thief
7.4/10
An ex-thief is accused of enacting a new crime spree, so to clear his name he sets off to catch the new thief, who’s imitating his signature style.
Marnie
7.1/10
Marnie is a thief, a liar, and a cheat. When her new boss, Mark Rutland, catches on to her routine kleptomania, she finds herself being blackmailed.
Frenzy
7.4/10
After a serial killer strangles several women with a necktie, London police identify a suspect—but he's the wrong man.
Notorious
7.9/10
In order to help bring Nazis to justice, U.S. government agent T.R. Devlin recruits Alicia Huberman, the American daughter of a convicted German war criminal, as a spy. As they begin to fall for one another, Alicia is instructed to win the affections of Alexander Sebastian, a Nazi hiding out in Brazil. When Sebastian becomes serious about his relationship with Alicia, the stakes get higher, and Devlin must watch her slip further undercover.
The Lady Vanishes
7.7/10
On a train headed for England a group of travelers is delayed by an avalanche. Holed up in a hotel in a fictional European country, young Iris befriends elderly Miss Froy. When the train resumes, Iris suffers a bout of unconsciousness and wakes to find the old woman has disappeared. The other passengers ominously deny Miss Froy ever existed, so Iris begins to investigate with another traveler and, as the pair sleuth, romantic sparks fly.
Rope
7.9/10
Two men attempt to prove they committed the perfect crime by hosting a dinner party after strangling their former classmate to death.
Spellbound
7.5/10
When Dr. Anthony Edwardes arrives at a Vermont mental hospital to replace the outgoing hospital director, Dr. Constance Peterson, a psychoanalyst, discovers Edwardes is actually an impostor. The man confesses that the real Dr. Edwardes is dead and fears he may have killed him, but cannot recall anything. Dr. Peterson, however is convinced his impostor is innocent of the man's murder, and joins him on a quest to unravel his amnesia through psychoanalysis.
Foreign Correspondent
7.4/10
The European war was only beginning to erupt across national borders. Johnny Jones, an American crime reporter dispatched by his New York publisher to put a fresh spin on the drowsy dispatches emanating from overseas, has a nose for a good story—which promptly leads him to the crime of fascism and Nazi Germany's designs on European conquest. In attempting to learn more about a seemingly noble peace effort, Jones walks into the middle of an assassination, uncovers a spy ring and—not entirely coincidentally—falls in love.
The Man Who Knew Too Much
7.4/10
A widescreen, Technicolor remake by Hitchcock of his 1934 film of the same title. A couple vacationing in Morocco with their young son accidentally stumble upon an assassination plot. When the child is kidnapped to ensure their silence, they have to take matters into their own hands to save him.
Shadow of a Doubt
7.8/10
A bored teen living in Santa Rosa, California, Charlotte "Charlie" Newton, is frustrated because nothing seems to be happening in her life and that of her family. Then, she receives wonderful news: her uncle (for whom she was named), Charlie Oakley, is arriving for a visit. But Uncle Charlie may not be the man he seems to be.
Young and Innocent
6.8/10
Robert Tisdall finds on the beach the corpse of a woman he knew. Others wrongly conclude that he is the murderer. Fleeing, he desperately attempts to prove that he is not the killer. A young woman becomes embroiled in the effort.
Torn Curtain
6.6/10
During the Cold War, an American scientist appears to defect to East Germany as part of a cloak and dagger mission to find the formula for a resin solution, but the plan goes awry when his fiancee, unaware of his motivation, follows him across the border.
Blackmail
6.9/10
London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.
Saboteur
7.1/10
Aircraft factory worker Barry Kane flees across the United States after he is wrongly accused of starting the fire that killed his best friend.
