The best Alexz Johnson’s movies
We present our ranking of the best Alexz Johnson’s movies. Do you love cinema? Or are you looking for a movie of your favorite actor to watch tonight? Surely you have some to see or that you did not know yet about Alexz Johnson.
Final Destination 3
5.8/10
A student's premonition of a deadly rollercoaster ride saves her life and a lucky few, but not from death itself – which seeks out those who escaped their fate.
Scooby-Doo 2: Monsters Unleashed
5.2/10
When Mystery, Inc. are guests of honor at the grand opening of the Coolsville Museum of Criminology, a masked villain shows up and creates havoc before stealing the costumes of the gang's most notorious villains...Could it be that their nemesis, mad scientist Jonathan Jacobo has returned and is trying to recreate their deadliest foes?
Selling Innocence
5.4/10
Mia Sampson's dreams to be a model come true when she's asked to pose for photographs to be displayed on an Internet website for "members only." However, when the owner of the website uses her pictures for exploitation purposes, Mia's mother must fight to remove the photos off the web and restore her daughter's privacy.
Devil's Diary
4.9/10
When a group of small-town teenagers find the “Devil's Diary,” a book that embodies the evil of Satan by physically manifesting any evil thought that is written in it, all hell breaks loose. Unearthed after centuries of concealment, the Devil's Diary wreaks havoc and destruction on the high school students who found it, and their entire community. Can their town be saved from complete ruin?
House of Bodies
3.8/10
While indulging his appetite for the grim and gruesome by patronizing a voyeuristic Web site that's based in a house where a serial killer once lived, a hearing-impaired boy begins to suspect that the site's violence is more than just make-believe.
The Wasting
4/10
A teenager in an English town struggles to come of age, braving sexual awakening and fighting her controlling parents by refusing to eat...until a nightmarish ghost appears that may be real, or may be a deadly creation of her starving body.
Stranger with My Face
5.2/10
After the shocking and untimely death of her husband, Shelley Stratton (Catherine Hicks) moves her daughter Alexis (Emily Hurst) and her adopted daughter, Laurie (Alexz Johnson), to their remote summer house in hopes of giving her family a fresh start. As Laurie begins to settle in and put her life back together, she gets the eerie feeling that she is constantly being watched. Laurie's uneasiness grows when people start claiming to see her in places that she has never been. The family's delicate state begins to unravel when Laurie unearths the dark past, discovering a twin sister that she never knew she had. Laurie is forced to delve deeper into her twin's secrets, for as it turns out her twin has been locked up for years! Laurie must now understand their strange connection in order to prevent her sister from taking over her life and harming her loved ones. Based on the book by author Lois Duncan
Kill Shot: The Making of 'FD3'
7.3/10
KILL SHOT is an in-depth documentary about the pre-production, production, and post-production process of making New Line Cinema's FINAL DESTINATION 3. We explore the history of not only the film itself but of its filmmaking partners, Glen Morgan and James Wong and gain insight on the production as a whole. Includes early development meetings, on-set action, interviews with cast and crew, visual effects development, test screening process as well as an elaborate ending re-shoot.
Dead Teenager Movie
7.1/10
DEAD TEENAGER MOVIE is a short-format documentary examining a specific sub-genre of teen slasher films; namely the Dead Teenager Movie - a term coined by movie critic, Roger Ebert. Through the use of interviews with cultural professors, film historians, directors, writers, producers and film critics, and with visual aids from movie clips of several dead teen horror films, the documentary explores the origins of these stories from their beginnings in urban legends to their jump to the big screen in the late 70s to their modern incarnations (like FINAL DESTINATION 3 and its two predecessors). It look sat what clichés and stereotypes define the sub-genre, and how they have developed in cinema over time, particularly finding a home at New Line Cinema.
