The best Alexander von Baumgarten’s music movies

Alexander von Baumgarten

Alexander von Baumgarten

12/08/1884- 03/02/1959
If you love cinema, you will share this ranking of the best Alexander von Baumgarten’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Alexander von Baumgarten.

Blåjackor

Blåjackor
5.8/10
  • Genre: ComedyMusic
  • Release: 23/10/1945
  • Character: Host at the Imperial
"Sailors" - A musical comedy about Kalle Svensson, a sergeant in the navy, and his loved one Nanette Raquette who works as a gymnastics teacher.

Sjösalavår

Sjösalavår
5.4/10
  • Genre: ComedyDramaMusic
  • Release: 05/09/1949
  • Character: Bar Manager in Ultra Mar
The Troubadour sits at a rock beside his summerhouse Sjösala in the Stockholm archipelago. He is composing a new ballad, when his son Sven Bertil interrupts him, telling him that an angry man is knocking at their door. It is the creditor Andersson, coming with a new unpaid bill to be put on the top of all the other. The Troubadour is tired of all economical problems. It disturbs the peace he needs to be able to write new songs, and without new songs he cannot earn the money he needs to pay the bills. To get peace and inspiration for his writing, he makes a quick decision to go to Buenos Aires. By phone he persuades his publisher to prepay 7000 kronor for some future book. On the little ferry from the islands in the sea to Stockholm city the Troubadour is carried away by his imagination into the fictitious world of his main character Fritiof Andersson. Colorful scenes from various songs are enacted before his dreaming eyes. In Stockholm he spends the night at the inn Gyldene Freden. ...

Tappa inte sugen

Tappa inte sugen
6.5/10
  • Genre: ComedyMusic
  • Release: 22/12/1947
  • Character: Bartender
In a movie studio, a fight scene is underway. The hero, played by Allan Bergner, will make an impression on the heroine, played by Ylva Vendel. But Allan is not prepared to give more than one pale hint of fight; he wants to be presentable in later scenes as well. The director wears his hair.

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