The best Alexander Hörbe’s drama movies

Germany, 1945. Soldier Willi Herold, a deserter of the German army, stumbles into a uniform of Nazi captain abandoned during the last and desperate weeks of the Third Reich. Newly emboldened by the allure of a suit that he has stolen only to stay warm, Willi discovers that many Germans will follow the leader, whoever he is.

Anna teaches violin at a music school, her husband is an instrument-maker. They have a 10-year-old son, Jonas. At school, Anna champions young Alexander, in whom she alone sees great talent. She devotes much energy and attention preparing him for the next stage exam to prove she was right. Soon Anna devotes more time to him than to Jonas, bringing the two boys into rivalry. At the same time her marriage is collapsing, she withdraws increasingly from her own family and starts an affair with her colleague Christian, who is encouraging her to join a quartet. When she fails during their joint concert, the pressure mounts. With Alexander now her vehicle, she drives him ever onwards and upwards. Come the day of the exam, events take a tragic turn...

Hanna and Simon are in a 20 year marriage with an unexiting relationship. By chance, they both meet and start separate affairs with Adam. Adam has no idea that his two lovers are married, until they are all found out when Hanna becomes pregnant, with the natural doubts stemming from their situation.

The real life story of East German singer and writer Gerhard Gundermann and his struggles with music, life as a coal miner and his dealings with the secret police (STASI) of the GDR.

Just before the fall of the Berlin Wall, the birthday celebrations of an East German family turn into a tragicomical moment of political and personal breakdown.

One house, three apartments and three friendly couples, who have to put their relationships and life concepts to the test. After 20 years of marriage, Anne and Martin are close to separation. Eva and Thomas are freshly in love and want to do everything right. The relationship between Saskia and Kai gets into a crisis when she returns to work and takes care of the daughter.

An independent tragicomedy, Run If You Can is the debut feature for director Brüggemann who, along with his sister, also wrote the compelling screenplay. Forced to spend the rest of his life in a wheelchair, Ben is deeply desperate, despite his humor and vivaciousness. When he meets Christian, his new assistant, Ben treats him like every other helper he’s had. Things suddenly change when Christian meets Annika, “the cello player” whom Ben has been observing from his window for years. The three become close friends, putting Annika in the middle of an emotional, and somehow dangerous, ménage à trois. While conquering Annika is nothing very serious for career-focused Christian, Ben’s love for Annika reminds him of his past and forces him to face his most remote fears. A character-driven story, Run If You Can owes much of its power to the actors’ performances, especially Robert Gwisdek’s outstanding interpretation of Ben.

East Germany, 1988. 19-year-old Franka doesn't really care for politics. She prefers going to the disco and dreaming about seeing Bruce Springsteen and Michael Jackson live in concert. But beneath her carefree façade, she is scarred by the loss of her baby brother. But then she meets Stefan: He's young, idealistic, and part of an environmental activist group. A mix that makes Franka instantly make fall for him – and his group, which welcomes her with open arms. But this wild, revolutionary influence does not stay unnoticed: Her mother, who's with the Party, is worried about Franka. As Stefan's group loses the support of the church, leaving them vulnerable to the state, Stefan and Franka are soon in the government's line of fire…