The best Alexander Beyer’s history movies

Constance, 1410. Marie, daughter of the richest bourgeois of the city, is on the eve of marrying a prestigious lawyer, son of an earl. Although the compromise fills with pride the girl's father, anxious to ennoble, Marie is not just convinced about her fiancé, who she has only seen twice. Her suspicions are confirmed tragically on the eve of the wedding when, after signing the marriage contract, a stranger breaks into the house ensuring that Marie has slept with other men in exchange for gifts, like a vile harlot. From that moment, the life of the girl will give a terrible unexpected turnaround. Alone, with his reputation ruined, she will have no choice to survive than partnering with a prostitute and lying on the roads.

Yael Hersonski's powerful documentary achieves a remarkable feat through its penetrating look at another film-the now-infamous Nazi-produced film about the Warsaw Ghetto. Discovered after the war, the unfinished work, with no soundtrack, quickly became a resource for historians seeking an authentic record, despite its elaborate propagandistic construction. The later discovery of a long-missing reel complicated earlier readings, showing the manipulations of camera crews in these "everyday" scenes. Well-heeled Jews attending elegant dinners and theatricals (while callously stepping over the dead bodies of compatriots) now appeared as unwilling, but complicit, actors, alternately fearful and in denial of their looming fate.