The best Alex Lam Tak-Shun’s comedy movies

Initiated by the Hong Kong Performing Artists Association and the Hong Kong Film Workers Association, ten film companies in Hong Kong (China Star, Anle Film, Emperor Films, Oriental Films, Media Asia Films, Meiya Films, World Films, Shaw Brothers, Sun Entertainment Culture , Huanyu Film) and the Hong Kong Film Development Council’s "Film Production Financing Project". It tells about a quiet afternoon when the Gurney Hotel suddenly detected a suspected case. The epidemic prevention center ordered a total blockade. All guests staying in the hotel must accept Mandatory quarantine for 14 days. Everyone is isolated in the hotel, and the relationship between people is getting closer unconsciously. Everyone has lived through difficult times together, and learned to cherish what may be the last time to get along with each other.

The rich merchant Lui Ming and a his old opponent Yeung Wai fight for everything for years. This time they compete for first to be grandpa! Yeung is going have a grandson from his son Alex and daughter in law Shan. Lui therefore threat his grandnephew couple Scallop and Snowy who live off his money to have baby, or will cut off all financial supports. Lui also hire the Super Star midwife Gong San to supervise and urge Scallop and Snowy. The couple’s life turns upside down, but recalls their romantic passion of the beginning of love…

In a construction site under the full moon, construction workers dig too deep and inadvertently wake up Joe (Alex Lam), a vampire that has been lying underground for a century. Dazzled by the vibrancy of a modern city at night, Joe wanders around and runs into Apple (J. Arie), a jilted girl planning to kill herself. Eager for a taste of blood, Joe follows her home and helps her and her grandmother get rid of thugs sent by a real estate developer who wish to buy them off. What started as a battle for property turns out to be a battle among vampires.

Both leads give performances that go beyond their usual range in a satire that’s sometimes diverting but ultimately toothless. Entertainment veteran Shirley Yung, who directs, should know better