If you love cinema, you will share this ranking of the best Álex de la Iglesia’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Álex de la Iglesia.
Grandes dosis de humor, ingeniosos guiños a nuestro cine patrio más reciente, un elenco artístico altamente ligado a la comedia y una elevada reserva de sorpresas constituyen los ingredientes de esta disparatada comedia: Spanish Movie.
How are the sex scenes filmed? What tricks are used to fake the desire? How do the interpreters prepare and feel? Spanish actors and directors talk about the most intimate side of acting, about the tricks and work methods when narrating exposed sex. In Spain the general rule is that there are no rules. Each film, each interpreter, faces it in very different ways.
Film fans work to restore the set of the climatic graveyard scene from the iconic spaghetti western “The Good, the Bad and the Ugly,” directed by Sergio Leone in 1966.
Seventy critics and filmmakers discuss cinema around the conflict between the artist and the observer, the creator and the critic. Between 1998 and 2007, Kléber Mendonça Filho recorded testimonies about this relationship in Brazil, the United States and Europe, based on his experience as a critic.
A walk through the golden age of Spanish exploitation cinema, from the sixties to the eighties; a low-budget cinema and great popular acceptance that exploited cinematographic fashions: westerns, horror movies, erotic comedies and thrillers about petty criminals.
How the Uruguayan-Spanish actor, writer, producer and director Narciso “Chicho” Ibáñez Serrador (1935-2019) changed forever the way of producing programs for Spanish television.
A documentary for the 20th anniversary of The Day of the Beast which put Álex de la Iglesia’s name on the global film scene. The production personnel recall via archives and interviews what happened before and after the premiere.
With humor, prolific director Víctor Matellano tells the story of one of the most iconic and problematic cult films of Spain's "fantaterror": Los resucitados by Arturo de Bobadilla. A story of ambition, frustration and the everlasting will of the most passionate cinephiles.