The best Alessandro Genovesi’s movies

Purehearted teen Lazzaro is content living as a sharecropper in rural Italy, but an unlikely friendship with the marquise’s son will change his world.

The wealthy businessman Vincenzo realizes that he is a father too absent, but also that his two sons and 1aughter are spoiled and unable to support themselves economically. So Vincenzo stages their fraudulent bankruptcy and runs with their children in Taranto, in his old house. The boys are struggling to settle, but Vincenzo is confident about them and hope that they will soon find a job in the city. Meanwhile, an impostor blackmailer, who wants to marry the daughter of Vincenzo, arrives in Puglia, to expose the scam.

Paolo needs to reach the castle of Alberto Caccia, where he was invited to spend Christmas with his family and Margherita, the ninth month of pregnancy. With them there will also be blessed, daughter of Alberto and childhood friend of Margherita, who was also pregnant. Among various mishaps and blunders, Paolo will combine another of his, coming to make everyone believe, because of a misunderstanding, that Alberto's died for his fault.

When the kooky tenants of an apartment block experience a sudden and shocking situation, they let their private lives, past secrets and crazy passions intervene as the confessions and absurd twists come thick and fast. Previous lovers, wild accusations, a possible murder and more boil to the surface days before New Year’s Eve, but can they even make it until then?

Seven days before his wedding, a man must contend with a series of never-ending disasters.

Tommaso has just left his first wife but he will meet a new person who will change everything in his life.

In autumn of 1526, the Emperor, Charles V, sends his German landsknechts led by Georg von Frundsberg to march towards Rome. The inferior papal armies, commanded by Giovanni de'Medici, try to chase them in the midst of a harsh winter. Nevertheless, the Imperial armies manage to cross the rivers along their march and get cannons thanks to the maneuvers of its Lords. In a skirmish, Giovanni de'Medici is wounded in the leg by a falconet shot. The attempts to cure him fail and he dies. The Imperial armies assault Rome. The film is beautifully but unassumingly set, and shows the hard conditions in which war is waged and its lack of glory. It ends straightforwardly with the declaration made after the death of Giovanni de'Medici by the commanders of the armies in Europe of not using again fire weapons because of their cruelty.