The best Aleksander Fogiel’s romance movies

Aleksander Fogiel

Aleksander Fogiel

26/02/1910- 17/01/1996
If you love cinema, you will share this ranking of the best Aleksander Fogiel’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Aleksander Fogiel.

The Doll

The Doll
6.9/10
Set in the 19th century Warsaw. The indolence of aristocrats who, secure with their pensions, are too lazy to undertake new business risks, frustrates Wokulski. His ability to make money is respected but his lack of family and social rank is condescended to. Because of his "help" (in secret) to "the doll's" impecunious but influential father, the girl becomes aware of his affection.

Giuseppe in Warsaw

Giuseppe in Warsaw
7/10
The Italian soldier Giuseppe Santucci, on his way home from the Russian front, during World War II (in 1943), has his machine gun stolen in Warsaw. Afraid of consequences, he stays in Warsaw and occupies a flat of the Polish girl Maria, whom he suspects of stealing weapon. Maria indeed is an active member of the Polish resistance, contrary to her brother, Staszek, a painter, who only wants a calm living. In a course of funny events, Giuseppe falls in love, and, along with Staszek, becomes a hero of the Polish resistance.

Nobody's Calling

Nobody's Calling
6.5/10
"In 1960 Kazimierz Kutz' second film NIKT NIE WOLA / NOBODY'S CALLING, based on a Jozef Hen novel that was never published in Poland, described the fate of Poles on the Eastern Front. Kutz used the film to explore new formal solutions, collaborating closely with cinematographer Jerzy Wojcik to reveal the psychological landscape of a pair of lovers who are strongly affected by wartime events. The camera recorded the couple's inner experiences, contrasting their muted intimacy against the surrounding scenery of a ruined town. The film did not win over critics at the time of its release. It was not until later that critics recognized Kutz's effort to experiment with aesthetics in a manner akin to that pursued by filmmakers of the new wave. NOBODY'S CALLING came to be compared with Michelangelo Antonioni's THE ADVENTURE, which was produced around the same time."

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