The best Alan Bennett’s movies
If you love cinema, you will share this ranking of the best Alan Bennett’s movies, although you may have ordered them differently. In any case, we hope you love it and with a little luck discovering a movie that you still don’t know about Alan Bennett.
The Lady in the Van
6.7/10
The true story of the relationship between Alan Bennett and the singular Miss Shepherd, a woman of uncertain origins who ‘temporarily’ parked her van in Bennett’s London driveway and proceeded to live there for 15 years.
The Madness of King George
7.2/10
Aging King George III of England is exhibiting signs of madness, a problem little understood in 1788. As the monarch alternates between bouts of confusion and near-violent outbursts of temper, his hapless doctors attempt the ineffectual cures of the day. Meanwhile, Queen Charlotte and Prime Minister William Pitt the Younger attempt to prevent the king's political enemies, led by the Prince of Wales, from usurping the throne.
Alice in Wonderland
6.8/10
Alice in Wonderland (1966) is a BBC television play based on Alice's Adventures in Wonderland by Lewis Carroll. It was directed by Jonathan Miller, then most widely known for his appearance in the long-running satirical revue Beyond the Fringe.
Dreamchild
6.7/10
Exploring the somewhat darker and more mysterious side of the Lewis Carroll's classic book, the movie follows Alice Liddell (the book's inspiration) as an old woman who is haunted by the characters she was once so amused by. As she thinks back on it, she starts to see her relationship with the shy author/professor in a new way and realizes the vast change between the young Alice and the old.
In Love and War
5.9/10
After teenage ambulance driver Ernest Hemingway (Chris O'Donnell) takes shrapnel in the leg during World War I, he falls in love with Agnes von Kurowsky (Sandra Bullock), a beautiful older nurse at the hospital where he's sent to recover. Their affair slowly blossoms, until Hemingway boldly asks Agnes to be his wife and journey to America with him. Richard Attenborough directs this drama based on the real-life experiences of the famed novelist.
Talking Heads
8.6/10
Six monologues tell the stories of six different repressed souls: a man dominated by his mother, a vicar's wife, an inveterate letter writer, a hopeful actress, a recently widowed woman, and an elderly shut-in.
Every Home Should Have One
5/10
Teddy, working at an advertising agency, has to come up with a campaign for frozen porridge.
The Wind in the Willows
7.4/10
Kenneth Grahame's literary classic about an enchanting world along the Riverbank has delighted readers for nearly a century. Now, this enduring beloved tale comes to life in this beautifully animated feature film from the producers of "The World of Peter Rabbit and Friends" and "The Snowman".
National Theatre Live: 50 Years on Stage
8.7/10
To celebrate its 50th anniversary, the National Theatre of Great Britain presents National Theatre: 50 Years on Stage, bringing together the best British actors for a unique evening of unforgettable performances, broadcast live from London to cinemas around the world.
The Secret Policeman's Other Ball
6.6/10
Following the success of the 1979 show and the financial benefits accruing to Amnesty from the spin-off movie, TV special and record albums – Cleese, Lewis and Walker planned the next show to be a more spectacular event. Cleese focused on broadening the comedic talent to be presented at the show. In addition to the Amnesty show stalwarts drawn from the Oxbridge/Monty Python/Beyond The Fringe orbit, he invited newcomers such as Rowan Atkinson’s colleagues from the BBC TV show Not the Nine O'Clock News including Pamela Stephenson and Griff Rhys Jones; comedian Victoria Wood and regional comic Jasper Carrott. Lewis secured a return appearance by Billy Connolly and a debut appearance by "alternative" comedian Alexei Sayle who Lewis had recently discovered and was managing. Building on the success of Pete Townshend's 1979 appearance Lewis recruited other rock musicians to perform at the 1981 show including Sting, Phil Collins, Eric Clapton, Jeff Beck, Donovan and Bob Geldof.
Remember the Secret Policeman's Ball ?
The Secret Policeman benefit shows for Amnesty International brought together comedy grand masters - from Python and Beyond the Fringe - and performers then relatively unknown, like Rowan Atkinson. Narrated by Dawn French, the programme includes interviews with many of the comedians and musicians who took part: John Cleese, Stephen Fry, Michael Palin, Sting, Lenny Henry and many more. The shows and their stars had a huge effect on modern British comedy. There are few comics today whose careers have not been heavily influenced by the anarchic and surreal humour of these events.
The Willows in Winter
7.3/10
Hailed as the "rightful heir" to "The Wind in the Willows", William Horwood's critically acclaimed sequel comes to magical life in this beautifully animated feature-length classic. Join four of the best-loved characters in children's literature for their heart-warming and hilarious new adventure along the Riverbank, narrated by Academy Award-winner Vanessa Redgrave.
The Young Visiters
6.8/10
The Young Visiters, written in twelve days by nine-year-old Daisy Ashford in 1890, is a surreal blend of naiveté, precocious perception and inadvertent social satire.
Long Shot
5.9/10
A budding Scottish film producer tries to get his ambitious Aberdeen-set western financed, and while he attracts some major stars and directors to the film he finds that with their support come more and more script changes... Filmed around the 1977 Edinburgh Film Festival, Long Shot is a deadpan satire about the trials and tribulations of British independent filmmaking, with terrific cameos from Wim Wenders, Susannah York, Stephen Frears, Alan Bennett and John Boorman.
The Merry Wives of Windsor
6.9/10
When Sir John Falstaff decides that he wants to have a little fun he writes two letters to a pair of Window wives: Mistress Ford and Mistress Page. When they put their heads together and compare missives, they plan a practical joke or two to teach the knight a lesson. But Mistress Ford's husband is a very jealous man and is pumping Falstaff for information of the affair. Meanwhile the Pages' daughter Anne is beseiged by suitors.
The Importance of Being Morrissey
7.6/10
The Importance of Being Morrissey is the most revealing and quotable documentary made on Steven Patrick Morrissey. In it, he compares meat eating to child abuse; attacks the Royal Family and Tony Blair; responds to the accusations of racism, and we hear about his depression. There’s also some great concert footage and a mixed selection of celebrity fans who explain their fervor for the Mozz.
The Drinking Party
An interpretation of Plato's Symposium as a picnic organised by a University don for his students. Each guest is asked to explain the nature of love before the Don, through a series of questions, reaches a unifying conclusion.
Pleasure at Her Majesty's
7.3/10
The first of the Amnesty International comedy benefit galas. The title is a play on the phrase at Her Majesty's pleasure (the show was performed at Her Majesty's Theatre, London). This show came to be considered part of the Secret Policeman's Ball series of shows that it inspired, although it pre-dated the first show in the series by three years. The event was organized by a team of three: Monty Python member John Cleese, Amnesty's Assistant Director Peter Luff and Transatlantic Records executive Martin Lewis. It featured the cream of Britain's comedic talent of the era, setting a precedent that would inspire many subsequent Amnesty galas...
Beyond the Fringe
7.8/10
A TV version of the stage show originally performed at the Edinburgh Fringe (August 1962) and in London (Fortune Theatre, May 1961) and Broadway (October 1962).
A Visit from Miss Prothero
7.1/10
Arthur Dodsworth has recently retired. He lives alone except for his budgie and memories of his late wife Winnie. One afternoon his nap is interrupted by the doorbell; his former secretary, Peggy Prothero, has come to visit. A brash, charmless woman who seems to take no pleasure in anything but putting people down, Miss Prothero wants to fill her old boss in on all the changes that have taken place at work since he left. Dodsworth isn't very curious, and as the visit wears on it puts a little strain on his politeness and patience. Miss Prothero doesn't enjoy it much either, but lingers on as there's a bombshell she wants to drop. The docketing system Dodsworth introduced thirty years earlier, which revolutionised the firm, has been scrapped by her adored new boss Mr Skinner. The crowning achievement of Dodsworth's career has just become obsolete, and she wants to tell him all about it.
