The best Alain Souchon’s movies

In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon's mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother's sorrows, her father's injury, this quick marriage, and the last name on her birth certificate?

The interests, obsessions, and fantasies of two singular artists converge in this inspired collaboration between Agnès Varda and her longtime friend the actor Jane Birkin. Made over the course of a year and motivated by Birkin’s fortieth birthday—a milestone she admits to some anxiety over—Jane B. by Agnès V. contrasts the private, reflective Birkin with Birkin the icon.

Alice invites all four men she has loved in her life for the dinner of New Year's Eve at the same time and unites them all in her house. In sentimental flashbacks they recall the former times. At 35, Alice is a career woman who doesn't think she has time for a lasting relationship. Thus, her love life has been, and probably always will be, a series of trysts and one-night stands.

After serving his sentence, a robber returns to his small, quiet hometown to retrieve the loot. But a ruthless Police inspector and his equally nasty young subordinate are after the criminal.

Victor Valance a quitté Paris depuis plusieurs années, laissant derrière lui sa mère et ses trois filles, pour réaliser de sombres opérations de casinos aux Bahamas et au Canada. Sa fille ainée, Pauline, est polytechnicienne, attachée au ministre des finances, et s'occupe de toute la petite famille.