The best Akira Otaka’s crime movies

Akira Otaka

Akira Otaka

15/11/1957 (66 años)
Today we present the best Akira Otaka’s movies. If you are a great movie fan, you will surely know most of them, but we hope to discover a movie that you have not yet seen … and that you love! Let’s go there with the best Akira Otaka’s movies.

Cure

Cure
7.5/10
A wave of gruesome murders is sweeping Tokyo. The only connection is a bloody X carved into the neck of each of the victims. In each case, the murderer is found near the victim and remembers nothing of the crime. Detective Takabe and psychologist Sakuma are called in to figure out the connection, but their investigation goes nowhere...

Outrage Coda

Outrage Coda
6.4/10
Ôtomo gets involved with new Yakuza battles after he comes back the Yakuza society.

MARKS

MARKS
6.1/10
Assistant police inspector Aida is assigned to investigate the murder of a former gang member. When a justice ministry official is killed days later in a similar manner, he begins to suspect that something bigger is going on...

Seicho Matsumoto's Black Gospel

Seicho Matsumoto's Black Gospel
5.2/10
In 1959, a body of a flight attendant of an international airline is found, strangled. Detective Rokuro Fujisawa takes charge of the investigation with a young detective Ichimura and his investigations lead him to Father Tolbeck as a suspect. But the police are forced to move very discreetly as the time was right after the Second World War, when a sensitive situation that involves Western people and religion is likely to become an international issue. The investigation leads to an unexpected discloser of a shadowy business behind the church that reflects the uncertainty of the time.

The Human Chair

The Human Chair
6.3/10
  • Genre: CrimeDrama
  • Release: 19/04/1997
  • Character: Yamanaka
After seeing her husband off to work, the young author identified only as Yoshiko sets off to read the large collection of letters she received from other young authors. These are often letters containing samples of their work for critique. One large envelope contains a letter. The letter-writer does not provide his name. The letter is a confession of crimes. The letter-writer has no family or friends, and claims to be "ugly beyond description". He is a chair maker and loves his work and all the chairs he creates, even going so far as to claim some sort of intangible connection to his work.

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