The best Akira Ôizumi’s horror movies

Japan nineteenth century. High demand for tattooed geisha generates an entire industry for their "production". Europeans pay more for tattooed beauties. Against this background, and considering the gorgeous tattooed women develop the history of confrontation between two highly skilled masters of tattoo.

Hirosuke, a medical student with almost no recollection of his past, is trapped in an asylum, despite being perfectly sane. After escaping from the loony bin, and being framed for the murder of a circus girl, he spots the photo of a recently deceased man, Genzaburo Komoda, to whom he bears an uncanny resemblance. By pretending to have been resurrected, Hirosuke assumes the dead man's identity, fooling everyone, including Komoda's widow and mistress. Whilst at the Komoda household, Hirosuke recalls memories that convince him to travel to a nearby island, home of Jogoro, the web-fingered father of Genzaburo. Whilst on the island, Hirosuke not only discovers Jogoro's plans to build his 'ideal community' (by transforming perfectly normal humans into hideous freaks), but also the awful truth behind his own identity.

Police investigators investigate the link between a serial killer's machinations and a young man who committed suicide.

A Haunted Turkish Bathhouse is 90 minutes of boobs, violence, supernatural horror that isn’t scary, funky score, occasional apocalyptic sunsets, and bloody cat attacks. It’s a fun film and never boring, but it isn’t quite as far-out as one would wish, especially when compared to the amazing Wolfguy. Consider it Yamaguchi’s House-lite, Toei Porno style.

In the year 198X, a young screenwriter, Ryohei Shimura, has been in a slump lately. Then an opportunity arises. He is asked to write a script for the comeback film of Akiko Ryuzoji, the legendary beauty who was known as Japan's Cleopatra. Ryohei met Akiko right away, but he couldn't believe his eyes. Akiko was young and good-looking, even though she was already an old woman. Ryohei moved into Akiko's house to work on his scenario. A film director, Mizumori, who lives with Akiko at the mansion, warns Ryohei, “Don't sleep with Akiko,” he says. In fact, Ryohei was chosen for the job for a surprising reason...